A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

Released as The Seraphines prior to the formation of Stranger & Gladdy, fabulous chorus gem backed with previously unreleased cut on flip.

The most sought after Gay Feet rock steady rarity. Johnny & The Attractions draws a clear line between them and rock steady artists back then – diggin’ deep into the sounds. Seems obvious that they were already doing the style later known as roots reggae.

A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo, this album paved the way for a newborn music, Rocksteady with rather slower and tighter rhythm approach. This album should be picked one of 10 pieces of the most important album of Reggae history.

Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

***Sleeve damage and small paint marks

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

Studio One’s golden Rocksteady cover; even hipper and cooler than the original by the Impressions. The original has been known for its excellent lyric and melodies, thanks to the composer Curtis Mayfield, however the Minstrells brought this to a total perfection. Even though the Minstrells left us a small number of recordings, the great vocal group had such a high standard for every single one of them. If you’ve listened to the original press of this tune, you will find the intro has been cut, unfortunately that was the same deal for the master-tape itself. The nice rocksteady by the firm but short-lived Hamlins comes on the other side. Both have been recorded from the original master-tapes.

A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

For all collectors here is a great reissue of rare rocksteady from The Gaylads. Wonderful chorus works by the group that are thought to be some of the greatest works the Gaylads after Studio One era.

Marvellous binghi rock steady masterpiece by Count Ossie led Johnny & The Attractions. An unreleased alternative instrumentalal cut on flip.

Roots rock steady from The Harmonizers recorded around 1967 proclaiming to go back to Africa. Backed with previously unreleased alternative cut.

Jo Jo Bennet's killer horn rocksteady with exceptional solo by Leslie Butler. Backed with previously unreleased alternative version.

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

Recorded in 1967 and previously unreleased material from the original master tape. This elegant but also distinctive recording is certainly incomparable to other recordings appeared during the Rocksteady era. Veteran singer, Eddie Perkins, started his career in the early 1960s and he worked with Alton Ellis as duo called Alton and Eddy.

This is a Rocksteady cut of the Zodiacs' 'Walk On By' released in 1967. They recorded the original Ska cut at Duke Reid's Treasure Isle. Rare Rocksteady classic with beautiful harmonies on a profound rhythm. On the B-side, this previously unreleased material 'House Upon The Hill' features an unknown vocal group called Merritone singers.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

This deep Ska instrumental 'Sai Pan' features a beautiful solo by Roland Alphonso. The most sought after record of Merritone Ska and a crucial for all Ska lovers. On the flipside, the record features a mid-tempo Rude Boy Ska anthem 'Born To Rule' by Black Brothers, the song was taken straight from the original master tape for this reissue. Another hard to find record released in 1966.

Previously unreleased material from the original master tape. Ethiopians recorded a couple of songs for Merritone label in 1976. During this proto-reggae/roots period, they surprisingly recorded this roots song ‘You Got To Be Clean’ with lyrics referring to “Zion” in 1966. Side B is a love song that expresses sentimental feelings of a boy who fail in love with a girl.

'Stranger For Durango is a bright instrumental performed by Roland Alphonso. Ska/Rocksteady lover's delight! The song also features remarkable solo on keyboard. The musician remakes Simon & Garfunkle's 'Sound of Silence' in a graceful Rocksteady style. Those recordings were originally released in 1966 and reissued from the original master tape.

Originally released in 1966, 'Cool Collie' is sometimes considered as one of the first Rocksteady recordings. With hard hit paformance by the back band, Hepetone Lewis sings to free Ganja which is the one of the essential elements of Jamaican music tradition.B-side, Mr. Rocksteady performs a bitter love song in a minor key.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

A fine vocal Rocksteady'All Night'is known as a killer dubplate owned by Duke Vin, who is regarded as a pioneer of sound system culture in UK. The flip side'The Ticker'was more popular than the A-side and in UK, allegedly no one else besides Duke Vin owned the vinyl until 90's. The song must have been a special attachment in his Dub Plate box.