The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Way ahead of its time, deep reggae funk by Keith Hudson with a hint of dub.

Minor chorded and wicked organ instrumentals by Crystalites. It is worth to be mentioned that in this song, listeners can experience the rare toasting of Ramon The Mexican who was the resident deejay at Harriott's Musical Chariot Sound System and later changed his name to Ambelique. Both sides are the two of the best Early Reggae tunes.

Rare instrumental and dub gems, produced by Aston ‘Family Man’ Barrett
Rare instrumental and dub gems, produced by Bob Marley’s bassist and musical arranger, Aston ‘Family Man’ Barrett, between 1972-82, featuring members of the Wailers band and other stalwart musicians.

Solid roots instrumentals produced by Aston "Family Man" Barrett of the Wailers. "Soul Constitution" sees soulful organ played on tight rhythm section leaning towards funky grooves. Hard to believe it was recorded at Randy's in 1971!

Classic ‘Rhapsody in Blue’, the original version of ‘Reggae Rhapsody’, was written by notable American composer and solo pianist George Gershwin in 1924. Nearly 50 years after, in 1973, Eumir Deodato edited the song and released it on CTI Records, which label was favored by Black music fans at that time. Leslie Butler recorded his keyboard version shortly after the release of Eumir Deodato version. This is another rare recording to be reissued for the very first time from the Federal catalogue. Side B features a Reggae fusion instrumental ‘Mystic Mood’ by Willie Lindo. The song became a hit and earned a position in his LP titled ‘Far and Distant’.

An experimental and minimalistic early dub instrumental joined by the Soul Syndicate drummer, Max Edwards. Music without commercialism – this minimalistic and repetitive dub instrumental shows the unique musical structure by one of the most future-oriented arrangers, the great Familyman.