A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

Traditional 1970s ragamuffin roots played in pure 1980s digital style.

Message music with a dancehall vibe, King Jammy mixes it up with conscious tunes from superstars like Dennis Brown, Cornell Campbell, Wailing Soul & Horace Andy.

The Soul Vendors’ horn inst cover of a mellow Latin tune, backed with the authentic Studio One Rocksteady masterpiece. This gorgeous horn inst Rocksteady features a superb arrangement from King Cannon a.k.a. Carl ‘Cannonball’ Bryan and Roland Alphonso. Like the originals on the other side here comes the one that Island was certainly familiar with back then, the Nat King Cole’s excellent vocal cover from the Hamlins.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

Double A-sided 7” featuring a killer Ska inst. From Jamaican harmonica virtuoso and Soul Brother’s killer horn Ska instrumental! One of the Studio One titles that the collectors have been looking everywhere to get hold of. Featuring no other than Rude Boy Charlie although it was stated as Bad Boy Charlie on the master-tape. An extremely rare take of Thunderball arranged by Jackie Mittoo on the flip side.

An ultimate super killer Ska instrumental by an extremely unprolific band, brilliantly recorded in stereo. Although this newly signed band recorded exclusively for Federal releasing an LP, they play a little commercial uptown sound, however the Skatalites admitted their inferiority to this band’s performances. The interestingly arranged “Old McDonald” on the flip features the guitarist Ernest Ranglin. Very rarely recorded in stereo for the time in Jamaica, only could have been done by the notorious Federal which clearly was known for its up-to-date setups.

Murder in the dancehall tonight! Jammy's leading artists boost up the sound system.

The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

“Let Africa be our guiding star, OUR STAR OF DESTINY.” Marcus Mosiah Garvey

In 1967 Ras Michael began to play occasional recording sessions for Clement ‘Coxsone’ Dodd with Jackie Mittoo and Soul Vendors at Studio One. Instead of getting paid for his work Ras Michael requested studio time for recordings for his own Zion Disc productions as the Sons of Negus Churchical Host. Seven inch releases at Zion Disc in 1967 and 1968, included ‘A Psalm Of Praises To The Most High’, ‘Come Down’, ‘King’s Highway’ to name a few, and all were unequivocal in form and content. The records did not trouble charts and none were released outside of Kingston…

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

Digital dancehall in dub… a late King Tubbys masterwork for the Firehouse imprint. Featuring the King at the controls of his reconstructed studio alongside his two young proteges, Peego and Fatman, in a dubwise deconstruction of a certified classic: Anthony Red Rose's and King Kong's 'Two Big Bull In A One Pen' album

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

The legendary 'Sound Clash Dub Plate Style' album digitally deconstructed by

King Tubby

‘Freedom Sounds’ is the glorious introduction to the iconic Ska LP “Ska Authentic from Studio One”, and also known as the opening theme for the band’s live performances. What’s more exciting is the early take unearthed for the very first time! Although it nearly got released with the 64-65’ masterpiece ‘From Russia With Love’, then eventually got cancelled due to the release of “Ska Authentic” LP. Compare to the ordinary recording that we’re familiar with, the unreleased take comes rougher but that is also brilliant and it will sound miraculously to all the Ska fans. There have been occasions that the band played this version at number of gigs, though it depends on who was leading the performance.

Brimmed with the vibes, this un-released killer Ska cover was recorded when Rita Marley and the Soulettes were at their best. Although it had never been released back then, Chris Wilson and the Heartbeat crew compiled this as a part of compilation series in the 90’s. The great Mr. Coxsone Dodd knew what's going on; as a spice, he occasionally released some unpublished materials. Like the name "Soulettes" suggests, this type of Soul music is their specialty and this is a female vocal Ska masterpiece.

The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

Rated as the world’s top five trombone players, here is a stunning reissue of rare killer ska by Don Drummond backed with an authentic vocal ska with Cornell Campbell.

Moving rocksteady vocal from Delroy Williams, George Allison, Ricky Grant a.k.a The Afrotones backed with killer funky instrumental from the maestro.

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

The Celestials trademarked imminent sound can be heard in this elegiac killer Ska instrumental!! The bang on titled ‘Golden Horns’ representing the music itself. If they were ever based in Kingston, they may have had more opportunities for recordings which might have changed the history of Ska music. Such a great band indeed. Although it’s still quite a tune, it may sound a little monotonous on the flip side, showing Thelwell’s personal affection for Carlos Malcolm’s band.

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

Minor chorded and wicked organ instrumentals by Crystalites. It is worth to be mentioned that in this song, listeners can experience the rare toasting of Ramon The Mexican who was the resident deejay at Harriott's Musical Chariot Sound System and later changed his name to Ambelique. Both sides are the two of the best Early Reggae tunes.

One of the most accomplished producers of Dancehall era, Philip 'Fatis' Burrell who launched Vena label in the 80's and succeeded onto Xterminator until milleniums. Dub Store Records are delighted to present his highly sought after Dancehall materials to the world. This is a killer cut from "Nitty Gritty - Mulfunction" segment, Delroy Katt singing in well-trained voice riding on nimble and firing rhythm.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

Still topping charts to date, this is one of Sanchez’ early hits recorded for Vena in the 80’s. Dub Store also presenting Nitty Gritty and Delroy Katt’s reissue on the same rhythm as well. Skilful and smooth flow backed with an alternative take that was only available on his LP previously.

Known for his work for Firehouse in the 80's, here comes a long expected reissue of Trevor Levy's lyrically appealing piece. Soulfully singing upon a heavy bouncy rhythm, the structure is simple and that's why it's timeless.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

One of the Redman’s earliest works is a song called ‘When I Release’ by Puddy Roots, who was very active artist during the 80’s. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy’s impressive singing style.

Recorded to the same rhythm track ‘’New Tactics’ by Admiral Tibet. Horace Martin, who is known for his major works during the late 70’s to early 80’s, has released the LP ‘Mix Up’ on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman’s synthesizer works.

Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks’ classic LP [Weh Dem Fah]. ‘Without Your Love’ was recorded on the famous ‘Wicked Can’t Run Away’ rhythm and ‘Red Eye Lover’ was on the popular Sleng Teng (Computer) rhythm.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Originally, ‘Like A Dragon’ came out the Wayne Smith’s classical album [Undewr Mi Sleng Teng] while Dennis Brown’s ‘History’ on the flip side appeared in an album entitled ‘History’on the Live & Love label. Both titles are previously unreleased on 7inch vinyl record.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.