'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

Originally started as The Renegades onto The Classics, one of the most prominent vocal groups, Wailing Souls have been keeping it authentic since the 60’s. Although they did not record that many at the digital dancehall era this one has been well received since day. Having both roots and dancehall elements is one of the key factors of King Jammy’s sound and this one remains as a masterpiece with the sorrow vocals by Wailing Souls. On the flip an enormously rare Wackad – Cry For The Youth who only released a few tracks from the late 80’s and early 90’s. Previously this can only be heard as a part of the compilation “King Jammy: A Man & His Music vol.1”.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

Legendary dancehall artist, Nitty Gritty's unarguable digital killer for Vena! Glamorous out of key style in the proper 80's manner, along with Delroy Katt and Sanchez this cut is a must have, regardless.

Slightly different cut to “Jack Slick” originally released on Live & Love 12” only, this Al Campbell vocal is highly refined and soulful deploring the use of guns and its consequences. A late 80’s killer digital.

Another wicked vocal from Pad Anthony of the Jammys posse. Encouraging lyrics that can relate to many of us even today. On rhythm side it’s got catchy riff and comical synth action.

Both sides released on single for first time. On A side the title track from Tinga Stewart’s 88 album, a strong declaration from the man who keeps everything straight. On flip a killer vocal from Echo Minott originally included in his masterpiece “What The Hell” LP and it’s a different cut to “Super Black – One Time Girlfriend”.

Wayne Smith’s ‘My Sweet Love’ is still gaining its reputation and popularity by the 80’s dancehall listeners nowadays. This Jammys’ distinguishing digital sound can be characterized by its wavy base melody so Wayne Smith’s vocal and lyrics can perfectly fits to the rhythm to make his sweet love song convincing.

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

Dancehall expert Pad Anthony left so many hit tunes for Jammy at the golden age of the label in the 80’s. “Ruff A Them” is a slightly Roots orientated killer rhythm with a twinkle of Jammy’s Dancehall essence to it. Pad Anthony going right in showcasing his dazzling melody sense.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

Junior Reid sings 'Puppa Jammys Nice' in Rock 'N' Roll style on this dry and bouncy computerized rhythm while Little John showcases his rhythmical performance on a previously unreleased rhythm, which sounds similar to Jammy's classic 'Love Punanny Bad' rhythm.

Nitty Gritty updates his major hit song 'Run Round The World' to 'Play Around The World'. This dubplate simply praises King Jammys Super Power and he warns sound boys by singing "Jammys is the sound where play around the world,,, don't test Jammy sound”.

Super Black, one the prominent dancehall singers in 80's, sings his song 'We Rule'　on the Jammys version of 'Stalag' rhythm while Anthony Malvo covers his Digital B hit ‘Sound History' in melody of the Carpenters 'Top Of The World'.

"Come Down" was made in the same sessions as Kong's massive "He Was a Friend" (reissued by DKR a while back on 12", and still available!), and never released until now. Pure uptempo digital fire!