The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

Another classic killer ska from the short-lived Soul Brothers. As of the original on the other side comes a sweet female lovers vocal from a night before the Rocksteady era. Succeeding the authentic ska from the legendary Skatalites then evolving it to the sound of Rocksteady, a fluid session band of Studio One, the Soul Brothers bring another classic instrumental ska tune. Like you can almost smell the perfume of Rocksteady era at its best, here comes a cool and cute lovers tune from Kingston on the other side. When the Soul Brothers were active after the Skatalites, they have certainly lost the thrill of solo performances, though this might have been the Skatalites were just too great.. Recorded from the master tape itself, this take contains slightly different solo compare to the original single.

“Let Africa be our guiding star, OUR STAR OF DESTINY.” Marcus Mosiah Garvey

In 1967 Ras Michael began to play occasional recording sessions for Clement ‘Coxsone’ Dodd with Jackie Mittoo and Soul Vendors at Studio One. Instead of getting paid for his work Ras Michael requested studio time for recordings for his own Zion Disc productions as the Sons of Negus Churchical Host. Seven inch releases at Zion Disc in 1967 and 1968, included ‘A Psalm Of Praises To The Most High’, ‘Come Down’, ‘King’s Highway’ to name a few, and all were unequivocal in form and content. The records did not trouble charts and none were released outside of Kingston…

Both sides are extremely rare unreleased takes of ska instrumentals by Roland Alphonso, Tommy McCook and the Soul Brothers. Sca-Balena is a famous cover in which you can enjoy the brilliance of Roland Alphonso, and a completely new latin take of “Two For One” originally played by Tommy McCook. It is really hard to expect what will come out of the warehouse of well-established label like Studio One, although Sir Coxsone knew exactly where everything was being placed. We’re sorry that the “Bridge View” is a misprint instead of “Two For One” Both have been recorded from the original master-tapes.

As Junior Soul, Junior Murvin recorded definitely the greatest Rocksteady tune,「Glendevon Special」 on early days of his recording career. This tune is also unique among Derrick Harriott's catalog and it proves how wide varieties his production was. This song is rare that many collectors have been looking for years.

A rare previously unreleased Rocksteady by Federal’s star singer, Hopeton Lewis. This killer Rocksteady represents one of the traditional elements of Jamaica, as well as the Rude Boy themed warning which could be heard in the lyrics. These types of unreleased materials could only be dug out at such a profound label, Federal.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

Ken Khouri’s Federal Records gave Jamaica its musical identity The Federal Record Manufacturing facility was the first pressing plant in Jamaica... their studio gave birth to mento, ska, rock steady and reggae of the highest calibre. This album features an astonishing selection of well known classics and rarities transferred straight from their master tape

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

This is a Rocksteady cut of the Zodiacs' 'Walk On By' released in 1967. They recorded the original Ska cut at Duke Reid's Treasure Isle. Rare Rocksteady classic with beautiful harmonies on a profound rhythm. On the B-side, this previously unreleased material 'House Upon The Hill' features an unknown vocal group called Merritone singers.

The Cannonball Adderley’s famous Jazz classic beautifully covered into Afro Caribbean Jazz masterpiece. This precious piece digs into depth of the Jamaican music to show unique side of the history. Due to their regular appearances in hotels at Montego Bay, it is reasonable to understand that the band had a range of repertoire other than Ska. The MC's hype heard right after the riff interprets the excitement of the session and creates a great atmosphere. Matching the original release, backed with a prime Jamaican Soul by talented Busty Brown who later recorded with Lee Perry.

A prominent singer backed by none other than the Skatalites, it is a symbolic Ska beat representing Kentone which will make everyone a smile. Although the Maytals have recorded Ska tunes for Studio One, Prince Buster and many more, they might have taken a further step when recording for the Jamaican music industry’s godfather, Ken Kouri by singing it well tight and fiery. Even for the Federal side, it must have been quite special to hire the Skatalites for this project. One minute and half might be a little too short for an A side, though this one will make you want to slip it in your DJ box every time.

A minor chord killer instrumental - the corpus of all the Family Man sounds. It is also a monumental piece of the Wailers Band. Like Eastern Memphis, this is one of the most talked about Family Man masterpiece. It clearly shows Family Man’s musical versatility not only as a bassist, but as a master musician. Although funnily enough it was the time when Jamaica was largely dominated by Deejays and Dancehall, the world famous Wailers Band never betrayed their fans by tightly keeping their “Wailers Sound”. It is a pleasure to listen to the strong belief and confidence in their music.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

Superlative reggae soul produced by Mikey Chung for his own Superstar imprint. Having both young Steely and Clevie in the band, when you think of the further development in reggae music, this production was crucial. Compared to Geoffrey’s high quality lustrous reggae soul this Jackson 5 cover is slightly different and lean towards the beauty of Jamaican pops sounds.

In 1966, Bunny Wailer started singing spiritual lyrics before anyone else, and this masterpiece he sung about returning to Africa was written while he was still recording for Studio One. Although it was originally recorded for Studio One, it has never seen the day of light. Then Lee Perry recorded it again and released in 1971. This particular take was recorded especially for the album in 1976 and released from Island Records UK as a single.

Clean reissue of Soul Syndicate's early 80's classic "Kings Highway" w/ version. When there were flooded with dancehall vibes Chinna and co always kept it true to their roots. Timeless pieces.

Extremely rare 69 reggae single from The Conquerors. Killer uptempo vocal on front side and sorrow trio choir on flip.

Astonishing nyabinghi vocal by Patsy with prominent vibraphone work by Lennie Hibbert. Another unreleased "The Call Of The Drums" rhythm on B-side which is different cut from DSR-SP7-01.

One of the most remarkable sessions from Sonia Pottinger by matchmaking two of the musical greats to work on an experimental nyabinghi jazz. Backed with a Ken Boothe vocal that surely needs no introduction.

1976 Twelve Tribes' roots - one of the top tunes from Orthodox camp backed with the version.

Superbly arranged, second to none crossover anthem of reggae soul.

Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.

The most sought after Gay Feet rock steady rarity. Johnny & The Attractions draws a clear line between them and rock steady artists back then – diggin’ deep into the sounds. Seems obvious that they were already doing the style later known as roots reggae.

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!

Recorded in 1973 accompanied by the Wailers, this truly rare masterpiece was fronted by Don Hutson, an executive of the severe Rastafarian organization, Twelve Tribes of Israel. Produced by former Jamaican National Football Team player, Allan ‘Skill’ Cole, it was released by Tuff Gong in 1973 and known as an extremely rare shot that collectors have been searching for all over the place. This beautifully sparkling classic spiritual reggae piece is undoubtedly one of the top 10s released in 1973. If you love reggae, we presume that you won’t be able to avoid this masterpiece.

The Celestials trademarked imminent sound can be heard in this elegiac killer Ska instrumental!! The bang on titled ‘Golden Horns’ representing the music itself. If they were ever based in Kingston, they may have had more opportunities for recordings which might have changed the history of Ska music. Such a great band indeed. Although it’s still quite a tune, it may sound a little monotonous on the flip side, showing Thelwell’s personal affection for Carlos Malcolm’s band.

Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys.
Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado.

Exclusive piece on a heavy weight digital remake of the “Cuss Cuss” rhythm. With the firing Jammys iconic bass lines on this tough rhythm, Prince Junior tops it showing off his rough performance in Rub a Dub style with an intonation.

Ever since his career bean in the early 80’s, the veteran Pad Anthony has always played an important role at frontline of the Dancehall music even to date. This previously unreleased material has only been heard on dubplates and Dub Store Records is proud to finally reissue this gem. Soulful vocal and Jammy’s trademark melancholic digital rhythm is just a combination that never seem to fail.

Way ahead of its time, deep reggae funk by Keith Hudson with a hint of dub.

The vocal cut to Keith Hudson’s epic reggae funk “Melody Maker”. Recorded a couple years after the instrumental this tune must have made a quite a come back.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

1973 reggae soul cover of Robert John’s classic by Sonny Wong who started his career early with The Mighty Vikings. Chung brothers had a clear vision of creating what is believed to be the origin of lovers rock. Splendid arrangement from In Crowd on flip is a must.

Versions, dubwise, horn riffs and what not – all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

Later became a vocalist for Chosen Few, Noel Brown's beautiful falsetto floats on this rare Rocksteady tune. It is also an interesting piece that recorded during the transition stage from Rocksteady to Reggae. These are only songs Noel Brown did for Derrick Harriott.

An ultimate super killer Ska instrumental by an extremely unprolific band, brilliantly recorded in stereo. Although this newly signed band recorded exclusively for Federal releasing an LP, they play a little commercial uptown sound, however the Skatalites admitted their inferiority to this band’s performances. The interestingly arranged “Old McDonald” on the flip features the guitarist Ernest Ranglin. Very rarely recorded in stereo for the time in Jamaica, only could have been done by the notorious Federal which clearly was known for its up-to-date setups.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Murder in the dancehall tonight! Jammy's leading artists boost up the sound system.

The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from