The Hustler' is one of Junior Murvin's, who gained international success later in his career, earliest works and is a rare tune that collectors have been after for many years. Made in 1969, this is also one of most popular up-tempo early Reggae tunes and undoubtedly the masterpiece. The flip side is the version to the A-side that featured keyboard and percussion.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

Nothing happens without Chuck Turner on those Jammy’s melancholic digital rhythms. Although his compatibility is easily proven on tunes like “We Rule Dancehall” and “Run Around Girl”, this piece sits on top of everything. With his pleasantly different falset voice, Chuck Turner soulfully sings on this exquisite rhythm with significant melody. This brilliant music has even got a slight feeling of a modern piece - that is exactly when you realise the Jammy’s magic touch

Rated as the world’s top five trombone players, here is a stunning reissue of rare killer ska by Don Drummond backed with an authentic vocal ska with Cornell Campbell.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

The debut song from Carlton Manning - elder brother of Lynford and Donald of The Abyssinians and later known for his Carlton and The Shoes releases for Studio One. On the flip side it’s a previously unreleased tune from The Soul Lads - later re-recorded and released on Treasure Isle with another cut which could be why this never saw the light of day.

Classic aluminium centre adapter for 7” records. Heavy weight, easy to handle and great fit ensuring maximum sound performance. Made in Japan.

The first release on Bunny's Solomonic label was the reflective and ambitious 'Search For Love' credited to 'Heat, Air & Water'. Bunny sings this yearning song beautifully, the mournful horns play a variant on the traditional 'Waltzing Matilda' melody and an early incarnation of the I Threes provide the harmonious backing vocals.

The Celestials trademarked imminent sound can be heard in this elegiac killer Ska instrumental!! The bang on titled ‘Golden Horns’ representing the music itself. If they were ever based in Kingston, they may have had more opportunities for recordings which might have changed the history of Ska music. Such a great band indeed. Although it’s still quite a tune, it may sound a little monotonous on the flip side, showing Thelwell’s personal affection for Carlos Malcolm’s band.

Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys.
Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado.

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Sharp and sophisticated reggae soul funk instrumental backed with “Traveling On”.

1973 reggae soul cover of Robert John’s classic by Sonny Wong who started his career early with The Mighty Vikings. Chung brothers had a clear vision of creating what is believed to be the origin of lovers rock. Splendid arrangement from In Crowd on flip is a must.

Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!

Long-expected reissue of Delroy Katt’s killer digital for Vena. This popular rhythm also featured the likes of Ricky Chaplin and Daddy Freddy. On this tune Delroy sings subdued but with sure presence showcasing the highly skilled performance.

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

Cool Ruler a.k.a. Gregory Isaacs’ stunning lovers vocal on heavyweight Jammys digital. Much more focused on vocal compared to the Music Lab cut not to mention the gorgeous chorus part.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

Wayne Smith’s ‘My Sweet Love’ is still gaining its reputation and popularity by the 80’s dancehall listeners nowadays. This Jammys’ distinguishing digital sound can be characterized by its wavy base melody so Wayne Smith’s vocal and lyrics can perfectly fits to the rhythm to make his sweet love song convincing.

Super Black, who had very characteristic voice like Wayne Smith and Pad Anthony, released a few memorable songs in the late 80’s. Using his voice as a weapon, here he openly sings about his love relationship with his ex-girl friend.

An indispensable album of Jamaican Jazz from vibraphone virtuoso Lennie Hibbert. As bandmaster at the legendary Alpha Boys School Lennie Hibbert schooled innumerable young artists who would go on to form the musical foundation of the Isle of Springs. Here he takes centre stage on a stirring selection of Carib-roots instrumentals ably assisted by four female vocalists to deliver a tropical sea breeze of marvellous mellow music.

A masterpiece of Jamaican Jazz recorded in 1960 by the Eric Grant Orchestra, resident band of the Casa Montego Hotel in Montego Bay. Rhythm & Blues, Jazz standards, Cha Cha Cha, Merengue and Calypso all combine in this wonderful amalgamation of sounds. Produced by the first Jamaican studio, Federal Records, and its founder Ken Khouri, it is now re-issued for the first time ever.