Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

Recorded to the same rhythm track ''New Tactics' by Admiral Tibet. Horace Martin, who is known for his major works during the late 70's to early 80's, has released the LP 'Mix Up' on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman's synthesizer works.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The 'Danger' is Carl's masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

Da Da Waps is probably not familiar to many but he recorded many songs, which were mainly included in the Redman produced albums. He sings about the abolished slavery on this digital stepper rhythm. This record is highly regarded as one of sought after vinyls among the Redman's catalogue.

Although this Tubby's version has never been released, "Nothing Don't Come Easy" ended up being a big hit at Jammys and still been praised today. It's the mid 80's interpretation of 70's roots reggae atmosphere. Hats off to the King!

Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul.

One of the most accomplished producers of Dancehall era, Philip 'Fatis' Burrell who launched Vena label in the 80's and succeeded onto Xterminator until milleniums. Dub Store Records are delighted to present his highly sought after Dancehall materials to the world. This is a killer cut from "Nitty Gritty - Mulfunction" segment, Delroy Katt singing in well-trained voice riding on nimble and firing rhythm.

Known for his works for Joe Gibbs in the 70's, a highly significant deejay Trinity had a lesser know phase as a singer Junior Brammer in the 80's. Pricess Street is cryptic but an exquisite killer of Brammer projecting his sense of melodies as well as cool and refined voice.

Long-expected reissue of Delroy Katt’s killer digital for Vena. This popular rhythm also featured the likes of Ricky Chaplin and Daddy Freddy. On this tune Delroy sings subdued but with sure presence showcasing the highly skilled performance.

Still topping charts to date, this is one of Sanchez’ early hits recorded for Vena in the 80’s. Dub Store also presenting Nitty Gritty and Delroy Katt’s reissue on the same rhythm as well. Skilful and smooth flow backed with an alternative take that was only available on his LP previously.

Since he started back in the 80's, Sanchez has always been at the forefront of the reggae music. “Give My Love” is his top work from the early days and it's a lovers dancehall killer! Another cut on this rhythm is “Al Campell & Horace Andy – Dancehall Business”.

Even though time and trends change drastically in the history Jamaican music however Sugar Minott managed to build a firm existance by his natural talent and trustworthy character. When this man sings he can colour anything from roots, dancehall and lovers to his own. “None Stop Rocking” is an excellent song that really showcases his sweet character.

Legendary dancehall artist, Nitty Gritty's unarguable digital killer for Vena! Glamorous out of key style in the proper 80's manner, along with Delroy Katt and Sanchez this cut is a must have, regardless.

Known for his work for Firehouse in the 80's, here comes a long expected reissue of Trevor Levy's lyrically appealing piece. Soulfully singing upon a heavy bouncy rhythm, the structure is simple and that's why it's timeless.

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

One of the Redman's earliest works is a song called 'When I Release' by Puddy Roots, who was very active artist during the 80's. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy's impressive singing style.

Redman has versioned one of the most popular dancehall rhythm of 80's, "Stalag" to create another unique sound. This track allowed Wayne Palmer to pass his tender lyricisms with his melancholy melodies to listeners.

Dave Bailey's 'Concrete Jungle' within the Redman's catalogue is considerably one of the most popular tunes. It's not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

'Runnings' by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey's melancholy vocal.

Tony Tuff, who was one of predominant figures in the 80's dancehall scene, showcases his low-keyed performance and sings about careless people who cannot wash, cook, iron, clean, he warns them to learn something. This speedy bouncy rhythm, which is very similar to Redman's classic rhythm "Koloko", symbolizes astonishing sound works of Redman's rhythm building.

Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks' classic LP [Weh Dem Fah]. 'Without Your Love' was recorded on the famous 'Wicked Can't Run Away' rhythm and 'Red Eye Lover' was on the popular Sleng Teng (Computer) rhythm.

One of the earliest works from the Redman's catalogue. Little John, the dancehall veteran, performs on this steady rhythm to showcase his heart touching vocal skill. Pure roots elements are pushed to the forefront in terms of rhythm and song to create another classic Redman sound work.

From its heart-shaking intro, Conroy Smith's fresh and piercing voice echo to deliver an intense song 'Love Affair'. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track 'In Thing' by Wayne Smith.

A few titles has been released on Suguar Minott's 'Conscious Lover' rhythm but 'Sugar Me' by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

Being a little youth did not stop Little John hustling around with big deejays when it comes to sound system dances. This is a tough killer he left for a man like Redman. An iconic Redman heavyweight riddim features slick stripping and roots orientated earthy sound. Along with the well-trained rub a dub style vocal, it is a true landmark which proves the transition from roots to dancehall style. Whether if you're a roots or dancehall fan, this killer will certainly light up your heart!!

Another extremely rare take to the identical title released on Wild Apache that is known for being played by the mighty Jah Shaka at his sessions. Comparing to the other Stereo One tunes released around the same time, this one is really fantastic and luring, also complimented by refined deejaying Burro Banton. This one will stand as the definition of heavy weight ragga!