A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

Slightly different cut to “Jack Slick” originally released on Live & Love 12” only, this Al Campbell vocal is highly refined and soulful deploring the use of guns and its consequences. A late 80’s killer digital.

A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

One of the later productions from the Chung brothers and it’s the ultimate reggae soul sound that they wanted to achieve. Although Antrim and other Chung productions produced reggae, it’s clear that they had US sounds such as soul and funk on their horizon.

Double A-sided 7” featuring a killer Ska inst. From Jamaican harmonica virtuoso and Soul Brother’s killer horn Ska instrumental! One of the Studio One titles that the collectors have been looking everywhere to get hold of. Featuring no other than Rude Boy Charlie although it was stated as Bad Boy Charlie on the master-tape. An extremely rare take of Thunderball arranged by Jackie Mittoo on the flip side.

A radically different take to one of the standout tracks on 'Burnin' the final Wailers album to feature the original line up of Bob, Peter & Bunny. The lyrics are profound without a hint of pretension "Be not selfish in your doing…" and the rhythm runs at a sprightlier pace than the album version. A third version exists with Bob Marley taking the opening verse but this is surely the definitive cut of a truly classic song. "Live for yourself you will live in vain…"

A nyabingi style killer instrumental of the roots classic Love Thy Neighbours by Jesus Dread a.k.a. Vivian Jackson.Created by a combination – the diversity of a series of personalities of the Wailers with the strict Rastaman, Vivian Jackson, this authentic Rastafari sound comes with no compromise.

A minor chord killer instrumental - the corpus of all the Family Man sounds. It is also a monumental piece of the Wailers Band. Like Eastern Memphis, this is one of the most talked about Family Man masterpiece. It clearly shows Family Man’s musical versatility not only as a bassist, but as a master musician. Although funnily enough it was the time when Jamaica was largely dominated by Deejays and Dancehall, the world famous Wailers Band never betrayed their fans by tightly keeping their “Wailers Sound”. It is a pleasure to listen to the strong belief and confidence in their music.

Out of all Jammy’s gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80’s dancehall, King Everal melancholy singing this killer!

Clean reissue of Soul Syndicate's early 80's classic "Kings Highway" w/ version. When there were flooded with dancehall vibes Chinna and co always kept it true to their roots. Timeless pieces.

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!

The finest instrumental dub that deserves the name, Familyman and the Rebel Arms. A piece never really got released back then.It is Familyman’s specialty to express his infinite creativity on instrumentals. As expected, he easily achieved higher dimension with these two minimalistically structured pieces. Nothing but a Familyman’s sound played by no other than the Wailers band themselves. In addition, he may have played this superb synthesizer himself.Guaranteed you won’t hear this sort of sound anywhere else.

Recorded at the same session as Cobra Style, this is a peace and love instrumental that touches your heartstrings. Perhaps designed by Family Man himself, this is a piece to chill out after being done by the killer, Cobra Style as it was originally recorded on the B-side of the same 12” – a must have for the owner of the latter. Although the instrumentals have traditionally been recorded since the 60’s, due to the cut down on the recording cost, it started to diminish since the end of the 70’s and it was really rare to see them in the 80’s, so that make it an undoubtedly precious and prestige instrumental. Comparing this to Cobra Style, there could be an endless discussion arguing which one is better however since they have such different musical concepts to each other, leave them alone to appreciate the true listening experience.

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

Way ahead of its time, deep reggae funk by Keith Hudson with a hint of dub.

A festive Christmas piece presented by the Federal ambassador, Hopeton Lewis, along with a previously unreleased cool Rocksteady instrumental. Hopeton Lewis, a.k.a. the Mr. Rocksteady celebrates the festive season with this happy piece. Flip is the Merritone trademarked, an elegant, yet respectable instrumental. As this has never seen the light of day, all the inst fans should have one in your collection.

Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions.