‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

Another enduring Rocksteady instrumental masterpiece by Bobby Ellis and Derrick Harriott’s timeless love song echoes sweet and bitter. Cool and dark ‘Step Softly’ is one of the most signature songs for Bobby Ellis and the greatest Rocksteady instrumental of all. The flip side is a best example of Harriott’s distinctive sound in Rocksteady era. The set of recordings are now reissued with original songs on both side.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

The Renegades consisted of Winston 'Pipe' Matthews, Lloyd 'Bread' McDonald and George 'Buddy' Haye and later became a group called the Wailing Souls. ‘You've Lost The Love’ is one of their earliest Rocksteady works and it was originally released in 1966. It is also one of the rarest records hardly ever found. The record also features previously unreleased Ska vocal recording ' Rude Boy A Wail' by the Merritone Singers from the original master tape.

'Slippery' is a beautifully arranged minor-chorded sax cut to Harriott production's classic rhythm, "Tonight." B-side is a piano instrumental version to the flip side.

A very rare and beautiful Rocksteady tune that collectors are after for many years. The Minstrels released mere amount of records but all of them were top-notch recordings. This 1967 released powerful ‘Hey There Lonely Girl’ is crucial for every Rocksteady fans. Acappella version of the song is included on the B-side.

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

Undoubtedly one of the best Funky Reggae tunes from Derrick Harriott's production, "Am I Black Enough" was originally a Billy Paul hit and has been covered by Derrick Harriott and Chosen Few who were into the Black Power movement at the time. The B-side "Psychedelic Train" is one of the earliest Funky Reggae instrumental songs which made Derrick Harriott recognized for his Funk-influenced style to listeners.

Another cover version of an Isaac Hayes’ classic. I Roy is blasting an heavy-weight toasting over the Chosen Few's vocals on the A-side "Tougher Than Tough". A straight cover version by Chosen Few appears on the B-side.

‘Do I Worry’is as important Rocksteady tune as Derrick Harriott’s other hit‘The Loser’in his vast catalog. The B-side features powerful horn blow and Bobby Ellis’ trumpet solo is nicely done. Reissued with these original recordings on both sides.

One of the later productions from the Chung brothers and it’s the ultimate reggae soul sound that they wanted to achieve. Although Antrim and other Chung productions produced reggae, it’s clear that they had US sounds such as soul and funk on their horizon.

Recorded in 1964 at the Federal studio, this elegant yet unique previously unreleased album is said to be the origin of the Jamaican Mento meets 4 Beat Jazz. This brilliant album is one of the most important Jamaican Jazz recordings that Ernest Ranglin has ever made. Everything in this album starts with the traditional Caribbean Jazz classics and then develops into 4 Beat Jazz. Produced by Godfather of the Jamaican music, Ken Kouri, this album is nothing but deserves its title. You may want to add this next to the Guitar In Earnest [DSR-LP/CD-501] in your collection.

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean

A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

Slightly thicker sleeve to accommodate an inner sleeve

Judy Mowatt used to form a group called the Gaylettes in her early career although she is known for touring all over the world as a member of I Threes and the Wailers. 'Silent River Runs Deep' is the most known song and a hit for the group. 'I Like Your World' was also originally released on the A-side of another record released on Merritone label. Those recordings of this double A-sided single are certainly great enduring female Rocksteady songs of all time.

'This Music Got Soul' is one of the earliest works by Mr. Rocksteady aka Hopeton Lewis. Interestingly, some would even say 'This Music Got Soul' is his debut single. When the song was released in 1966, it seems that the musical term "Rocksteady" did not exist but this classic clearly proves a new wave of Rocksteady was coming very near. The artist also sings 'Rock Steady' to highly praise the new genre. Reissued from the original master tape.

Not only reggae fans have been after the reissue of this lovers roots classic. “Unity, Love and Strength” starts with smooth piano into sweet dramatic vocal piece backed by the Wailers band. Horace Andy’s falsetto is the perfect touch to this masterpiece.

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Superior rock steady from the vaults of Federal Records

The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.

Because of his superior talent and intense personality, one of the most ingenious pianists Leslie Butler had a lack of releases, however he was given an exceptional chance by the Federal Records to record this one of the most peculiar albums in the history of Jamaican music. This beautifully finished Jamaican Jazz Funk/Rare Groove album is mostly constructed with the traditional covers that all Jamaicans will know although with the wonderful arrangement, and very Jamaican, ensemble stripping aesthetics give the album a whole new character that can’t be heard elsewhere.This masterpiece should make it to the shelves of not only reggae fans but soul and jazz fans as well. Leslie always committed on making a serious piece of music - never liked to make either of Jamaican popular music or business-like commercial music. He had a strong belief of not letting others to control his talent. Therefore there were often conflicts between him and producers or he was not even given a chance to record anything at all. It’s a really sad story, but this unfortunate musician’s lifestyle can be heard on the recordings such as “Guitar In Ernest ? Ernest Ranglin (DSR-LP / CD-501)” and “Reggae Rhapsody ? Leslie Butler (DSR-FEDS12-001).” Perhaps with this album in addition, it might be all enough.

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions.

A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

The legendary 'Sound Clash Dub Plate Style' album digitally deconstructed by

King Tubby

50’s Jamaican mento at its best, reissue of a double 10 inch album into one solid disc.

Happy and delightful Jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm SP singles.