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Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Blues Busters - I Won't Let You Go / Love Me Forever

Kentone / BMN / Dub Store Records JPN 1964

¥2180 (US$14.50)

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

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Jackie Mittoo - Chinese Chicken / Put It On

Studio One / Dub Store Records JPN 1967

¥2080 (US$13.84)

The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

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Roland Alphonso - Ska Culation / Jack Sparrow - Ice Water

Studio One / Dub Store Records JPN 1966

¥2180 (US$14.50)

The Skatalites’ killer shot interpretation of the world’s famous electric guitar inst, and the fully carnival-mode Ska played by a luxurious bunch of musicians. Originally played by the American electric guitar band, this is the proof of how Jamaicans won’t miss no trends. Guaranteed killer up-tempo Ska! Identical to the originals on flip by Jack Sparrow later known as Leonard Dillon of the Ethiopians, this praiseworthy piece features the Wailers on the backing vocal.

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Monty Alexander, Cyclones - Summertime / Dog It

Studio One / Dub Store Records JPN 1962

¥2080 (US$13.84)

An exotic cover of the standard - by young Monty Alexander for Studio One. Its heavy and exotic arrangement by Monty’s own the Cyclones could well be the version of the famous “Summertime” that Jamaica has been proud of, and also out of million others to date this stands out as one of the most distinguished covers of all. From a number of Coxsone’s own labels, this is one of the rarest and includes nice shuffle-instrumental on the other side like the original press. A very rare piece that the collectors have been searching for.

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Blues Busters - There's Always Sunshine / Maytals - Sometimes (Love Is A Special Feeling)

Sunshine / BMN / Dub Store Records JPN 1967

¥2180 (US$14.50)

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

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Blues Busters - Soon You'll Be Gone / I Don't Know

Sunshine / BMN / Dub Store Records JPN 1964

¥2180 (US$14.50)

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

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Various - Merritone Rock Steady 2: This Music Got Soul 1966-1967 (2LP)

Dub Store Records JPN 1966- 1967

¥5380 (US$35.79)

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

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Baba Brooks - A Toast To James Bond / Patsy Millicent Todd - True Love (Love So Divine)

Gay Feet / Dub Store Records JPN 1965

¥2180 (US$14.50)

Killer instrumental ska and one of Baba Brooks' masterworks on A-side backed with crucial ska vocal by Patsy accordingly to the original edition. Both sides taken from the mastertape.

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Johnny, Attractions - Call Of The Drums / Leslie Butler, Count Ossie - Call Of The Drums Rhythm 2

Gay Feet / Dub Store Records JPN 1967

¥2080 (US$13.84)

Marvellous binghi rock steady masterpiece by Count Ossie led Johnny & The Attractions. An unreleased alternative instrumentalal cut on flip.

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Various Artists - Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968 (2LP

Dub Store Records JPN 1960- 1968

¥5380 (US$35.79)

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

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Heptones - Mama

Studio One 1968

Mama

¥850 (US$5.66)

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Roy Richards - Summertime / Sound Dimension - Soulful Strut

Studio One / Dub Store Records JPN 1969

¥2180 (US$14.50)

A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

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Soul Vendors - Last Waltz / Hamlins - Sentimental Reason

Studio One / Dub Store Records JPN 1967

¥2180 (US$14.50)

The Soul Vendors’ horn inst cover of a mellow Latin tune, backed with the authentic Studio One Rocksteady masterpiece. This gorgeous horn inst Rocksteady features a superb arrangement from King Cannon a.k.a. Carl ‘Cannonball’ Bryan and Roland Alphonso. Like the originals on the other side here comes the one that Island was certainly familiar with back then, the Nat King Cole’s excellent vocal cover from the Hamlins.

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Stephen Cheng - Always Together / Sam Carty - Rich Man, Poor Man

BMN / Dub Store Records JPN 1967

¥2180 (US$14.50)

Extremely rare rocksteady masterpiece recorded in 1967. Curiously sang in Chinese, this novelty record was originally pressed and spread within the Chinese community in Jamaica. Even though comparing to its entire population this island has exceptionally high rate of musical recordings, this could possibly be the only verified track solely sang in Chinese. One that has always been spoken about due to its oddity and should be succeeded eternally.

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Hopeton Lewis - Rock A Shacka / I Don't Want Trouble

Merritone / Dub Store Records JPN 1966

¥1380 (US$9.18)

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

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Owen Gray - Give Me A Little Sign / Raver

Studio One / Dub Store Records JPN 1967

¥2180 (US$14.50)

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” ? A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

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Hopeton Lewis - Take It Easy With The Rock Steady Beat

Dub Store Records JPN 1966

¥2500 (US$16.63)

A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.