Deep one drop featuring the queen of the modern roots movement, Jah9.

Melancholic but definitely forward thinking slow one drop with consciousness and wisdom injected by the empress as well as positivity and dignity by Lorenzo & Jacob backed by the steady Mellow Mood rhythm force.

Solid introduction of the island by the female conscious deejay Hempress Sative along with Mellow Mood and fellow Italian deejay Forelock.

Arguably one of the top modern roots combinations to come out in recent years produced by Dave Green, the drummer for Alborosie not to mention a refined dub cut by Italian maestro Paolo Baldini on flip.

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

'This Music Got Soul' is one of the earliest works by Mr. Rocksteady aka Hopeton Lewis. Interestingly, some would even say 'This Music Got Soul' is his debut single. When the song was released in 1966, it seems that the musical term "Rocksteady" did not exist but this classic clearly proves a new wave of Rocksteady was coming very near. The artist also sings 'Rock Steady' to highly praise the new genre. Reissued from the original master tape.

Heavy conscious ragga on a Roots Radics flavoured early 80’s sounding rub a dub minor roots.

Fat like Shabba, Andrew I’s strike against the establishment supported by Garzia brother’s catchy hook and stabbing melodies.

The Wailers have recorded a number of tunes for Studio One, however this release still gets talked a lot as its specialty. Recorded just before they left Studio One, this double A-sided single includes two of the best tunes that lead by Bunny Wailer himself. It’s even possible to hear in this excellent music that the time has come to ripen for the band to see the vision of starting up their own Wail ‘N’ Soul ’M’ label. Both sides are identical to its original release.

‘Freedom Sounds’ is the glorious introduction to the iconic Ska LP “Ska Authentic from Studio One”, and also known as the opening theme for the band’s live performances. What’s more exciting is the early take unearthed for the very first time! Although it nearly got released with the 64-65’ masterpiece ‘From Russia With Love’, then eventually got cancelled due to the release of “Ska Authentic” LP. Compare to the ordinary recording that we’re familiar with, the unreleased take comes rougher but that is also brilliant and it will sound miraculously to all the Ska fans. There have been occasions that the band played this version at number of gigs, though it depends on who was leading the performance.

The Skatalites’ killer shot interpretation of the world’s famous electric guitar inst, and the fully carnival-mode Ska played by a luxurious bunch of musicians. Originally played by the American electric guitar band, this is the proof of how Jamaicans won’t miss no trends. Guaranteed killer up-tempo Ska! Identical to the originals on flip by Jack Sparrow later known as Leonard Dillon of the Ethiopians, this praiseworthy piece features the Wailers on the backing vocal.

A radically different take to one of the standout tracks on 'Burnin' the final Wailers album to feature the original line up of Bob, Peter & Bunny. The lyrics are profound without a hint of pretension "Be not selfish in your doing…" and the rhythm runs at a sprightlier pace than the album version. A third version exists with Bob Marley taking the opening verse but this is surely the definitive cut of a truly classic song. "Live for yourself you will live in vain…"

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

Coupling tracks by two of the most lamented and legendary artists who both recorded great albums for Jammy. For some reason Jammy’s magic makes Dennis Brown’s vocal sounds so much better and this heavy digital remake of the Studio One classic, “Swing Easy” is just another example. It is also known as the same rhythm track for King Everal – Bad Girls. On the B-side, riding on the heavy tensional track, the charismatic vocalist from the 80’s, Nitty Gritty presents a smoky vocal warning all the soundboy out there.

Long-expected reissue of Delroy Katt’s killer digital for Vena. This popular rhythm also featured the likes of Ricky Chaplin and Daddy Freddy. On this tune Delroy sings subdued but with sure presence showcasing the highly skilled performance.

Minor chorded killer roots with great interaction between keys, horns and the guitar.

Talking about rough and tough in the island – absurd but everyone has got to move forward – positively approaching towards people sufferation inna Mellow Mood style. Bassline development in this piece is second to none.

Tonto Irie left some impressive titles within Jammys catalogue. 'General A General' was recorded on 'African Beat' rhythm, which was versioned many times with regardless of musical generations. This newly build digital rhythm kept its original form and Tonto Irie showcased his old school lyrical flow in a Raggamuffin way.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.

“Mash Me Up” sees an appearance of Jesse Royal, a young rasta singer who has previously been featured on Major Lazer projects and causing a buzz in the scene with releases for Over Stand Ent., Biggy, Notis and more. Here he collaborates with US based female singer Jovi Rockwell on an irie and bass heavy shaker.

Patsy's classic slow ska backed with Webber Sisters previously unreleased rock steady piece pushing forward til their day comes.

Digital remake of the charismatic roots reggae artist Yabby You a.k.a. Jesus Dread’s representative rhythm of the same name. King Everal rides on smoothly on waves of the rolling bass. An astonishing previously unreleased material!

Solid roots instrumentals produced by Aston "Family Man" Barrett of the Wailers. "Soul Constitution" sees soulful organ played on tight rhythm section leaning towards funky grooves. Hard to believe it was recorded at Randy's in 1971!

A Lead-off Vinyl from a Brand New Japanese Experimental Dub Label, New Dub Hall is Out!

Hailing “Experimental Dub Music from the Far East” as their concept, a Japanese label New Dub Hall established in 2017 welcomes their first release in a 7" vinyl by UNDEFINED, a dub unit consisting of drums and keyboards. (+ 48khz/24bit Download Code)

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

Although Hopeton Lewis recorded many songs for the Merritone, Henry Buckley was also a prolific singer who recorded many songs for the label. Federal was probably recording with him for his never released debut album. Side-B features a Rocksteady instrumental, which appeared on LynnTaitt’s debut album.

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

Every song done by Keith & Tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. On A-side features a mid-tempo Rocksteady and the flip side is their cover version of Temptations’ 1968 hit.

This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.