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Various - Sound Of Young Jamaica: 50 Top Studio One Hits (2CD)
Studio One 1962- 1984
¥3780 (US$24.29)
Count Ossie & The Mystic Revelation Of Rastafari - Grounation (2CD)
¥3240 (US$20.82)
An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I
Various - King Jammys Dancehall 1985-1989 (2 CD) (Gatefold Paper Sleeve)
Jammys / Dub Store Records JPN 1985- 1989
¥2940 (US$18.89)
The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers.
Various - King Jammys Dancehall 2: Digital Roots & Hard Dancehall 1984-1991
Dub Store Records JPN 1983- 1991
¥2780 (US$17.86)
Traditional 1970s ragamuffin roots played in pure 1980s digital style.
Message music with a dancehall vibe, King Jammy mixes it up with conscious tunes from superstars like Dennis Brown, Cornell Campbell, Wailing Soul & Horace Andy.
Various - King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989
Dub Store Records JPN 1985- 1989
¥2780 (US$17.86)
Murder in the dancehall tonight! Jammy’s leading artists boost up the sound system.
The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.
Various - King Jammys Dancehall 4: Hard Dancehall Lover 1985-1989
Dub Store Records JPN 1985- 1989
¥2780 (US$17.86)
Digital goes romantic. Lover’s Rock meets dancehall in King Jammy’s Studio.
Love and romance ina digital style, King Jammy presents songs of devotion over his fresh, hard-hitting computerized rhythms
Hopeton Lewis - Take It Easy With The Rock Steady Beat
¥2500 (US$16.06)
A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.
Lynn Taitt & The Jets - Rock Steady Greatest Hits
¥2376 (US$15.27)
Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.
The Techniques & Friends - Winston Riley's Rock Steady & Early Reggae 1968-1969
Dub Store Records JPN 1968- 1969
¥2376 (US$15.27)
Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.
As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.