Up tempo Jamaica Festival Song, “Check Up”, on flipside is a groovy rare rocksteady “Devil Woman” both Al & The Vibrators’ highly refined vocals.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

If you mention Baba Brooks, most people would think this tune or “Shank I Sheck”. Even though the recording tape itself was hard to come by these days, we managed to include a previously unreleased alternative take from the master tape.

Killer instrumental ska and one of Baba Brooks' masterworks on A-side backed with crucial ska vocal by Patsy accordingly to the original edition. Both sides taken from the mastertape.

VinGordon’s rooty horn on top of a Hudson rhythm. Big Youth riding confidently making it a killer deejay and instrumental

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

Superbly arranged, second to none crossover anthem of reggae soul.