The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers.

Traditional 1970s ragamuffin roots played in pure 1980s digital style.

Message music with a dancehall vibe, King Jammy mixes it up with conscious tunes from superstars like Dennis Brown, Cornell Campbell, Wailing Soul & Horace Andy.

Murder in the dancehall tonight! Jammy’s leading artists boost up the sound system.

The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.

Digital goes romantic. Lover’s Rock meets dancehall in King Jammy’s Studio.

Love and romance ina digital style, King Jammy presents songs of devotion over his fresh, hard-hitting computerized rhythms

'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.

Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Originally, ‘Like A Dragon’ came out the Wayne Smith’s classical album [Undewr Mi Sleng Teng] while Dennis Brown’s ‘History’ on the flip side appeared in an album entitled ‘History’on the Live & Love label. Both titles are previously unreleased on 7inch vinyl record.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.

Wayne Smith’s ‘My Sweet Love’ is still gaining its reputation and popularity by the 80’s dancehall listeners nowadays. This Jammys’ distinguishing digital sound can be characterized by its wavy base melody so Wayne Smith’s vocal and lyrics can perfectly fits to the rhythm to make his sweet love song convincing.

Super Black, who had very characteristic voice like Wayne Smith and Pad Anthony, released a few memorable songs in the late 80’s. Using his voice as a weapon, here he openly sings about his love relationship with his ex-girl friend.