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Glen Brown & Dave Barker - Wake Up To Reality / Deleno Stewart - Win Your Love
Gay Feet / Dub Store Records JPN 1968
¥1580 (US$10.07)
Junior Soul - Miss Cushie / Miss Cushie (Alternative Take)
Gay Feet / Dub Store Records JPN 1967
¥1580 (US$10.07)
Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.
The Conquerors - If You Can't Beat Him / I'll Follow Him
Gay Feet / Dub Store Records JPN 1969
¥1580 (US$10.07)
Mynx - 恋におちたら (Reggae Version) / Adele Harley - 桜坂 (Reggae Version)
Jet Set JPN 2023
¥2640 (US$16.82)
Gaylads - Looking For A Girl / Aren't You The Guy
Links / Dub Store Records JPN 1968
¥2180 (US$13.89)
For all collectors here is a great reissue of rare rocksteady from The Gaylads. Wonderful chorus works by the group that are thought to be some of the greatest works the Gaylads after Studio One era.
Keith Hudson - Darkest Night On A Wet Looking Road / Darkest Night Version
Mafia / Dub Store Records JPN 1974
¥1480 (US$9.43)
Don Drummond - Don D Special / Fidel
Studio One / Dub Store Records JPN 1965
¥2080 (US$13.25)
The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.
Monty Alexander, Cyclones - Summertime / Dog It
Studio One / Dub Store Records JPN 1962
¥2080 (US$13.25)
An exotic cover of the standard - by young Monty Alexander for Studio One. Its heavy and exotic arrangement by Monty’s own the Cyclones could well be the version of the famous “Summertime” that Jamaica has been proud of, and also out of million others to date this stands out as one of the most distinguished covers of all. From a number of Coxsone’s own labels, this is one of the rarest and includes nice shuffle-instrumental on the other side like the original press. A very rare piece that the collectors have been searching for.
Wailers - Rock Sweet Rock / Jerk In Time
Studio One / Dub Store Records JPN 1966
¥2180 (US$13.89)
The Wailers have recorded a number of tunes for Studio One, however this release still gets talked a lot as its specialty. Recorded just before they left Studio One, this double A-sided single includes two of the best tunes that lead by Bunny Wailer himself. It’s even possible to hear in this excellent music that the time has come to ripen for the band to see the vision of starting up their own Wail ‘N’ Soul ’M’ label. Both sides are identical to its original release.
Millions - Love Of Jah Jah Children / Love Of Jah Jah Children Version
Typhoon / Dub Store Records JPN 1973
¥2080 (US$13.25)
Ken Boothe - Happy Song / Reggae Boys - What You Gonna Do
Bunny Lee / Dub Store Records JPN 1968/ 1969
¥2180 (US$13.89)
Anthony Red Rose, King Kong - Two Big Bull In A One Pen
¥3680 (US$23.45)
Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.
Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986
Dub Store Records JPN 1977- 1986
¥2780 (US$17.71)
At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…
Various - Redman International Dancehall 1985-1989 (2LP)
Dub Store Records JPN 1985- 1989
¥4320 (US$27.53)
Redman International Dancehall 1985-1989 press sheet by David Katz
Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.
Various Artists - Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968 (2LP
Dub Store Records JPN 1960- 1968
¥5380 (US$34.28)
Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from