Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

Legendary dancehall artist, Nitty Gritty's unarguable digital killer for Vena! Glamorous out of key style in the proper 80's manner, along with Delroy Katt and Sanchez this cut is a must have, regardless.

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

Even though time and trends change drastically in the history Jamaican music however Sugar Minott managed to build a firm existance by his natural talent and trustworthy character. When this man sings he can colour anything from roots, dancehall and lovers to his own. “None Stop Rocking” is an excellent song that really showcases his sweet character.

Originally started as The Renegades onto The Classics, one of the most prominent vocal groups, Wailing Souls have been keeping it authentic since the 60’s. Although they did not record that many at the digital dancehall era this one has been well received since day. Having both roots and dancehall elements is one of the key factors of King Jammy’s sound and this one remains as a masterpiece with the sorrow vocals by Wailing Souls. On the flip an enormously rare Wackad ? Cry For The Youth who only released a few tracks from the late 80’s and early 90’s. Previously this can only be heard as a part of the compilation “King Jammy: A Man & His Music vol.1”.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

Recorded in 1985, previously unreleased Tubby's early digital super killer recorded from master tape.

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

Recorded on the very same day as People Music (DSR-LT7-01-A), here comes Junior Murvin cut crying for his brothers in the homeland. On flip side a Delroy Smart vocal on the same rhythm.

Known for his work for Firehouse in the 80's, here comes a long expected reissue of Trevor Levy's lyrically appealing piece. Soulfully singing upon a heavy bouncy rhythm, the structure is simple and that's why it's timeless.

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

Long-expected reissue of Delroy Katt’s killer digital for Vena. This popular rhythm also featured the likes of Ricky Chaplin and Daddy Freddy. On this tune Delroy sings subdued but with sure presence showcasing the highly skilled performance.

Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!

Capture the late eighties zeitgeist with Courtney Melody’s genre defining release. A highly anticipated re-issue of this showcase style album where Courtney Melody’s plaintive singjay style vocals are counteracted and complemented by a selection of King Tubby’s deadly digital dubs.

Out of all Jammy’s gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80’s dancehall, King Everal melancholy singing this killer!

Another unreleased title from one of the popular dancehall artists of the 80’s, Super Black who is also known for his contribution for Jammys. Representing the sounds of Jammys at the time, this refined digital rhythm is built in minor chord with absolute simplicity, creating an excellent chemistry with the melancholic vocal.

Jamaica's favorite US northern soul group, Chilites, performs smooth harmonies on an updated version of 'Sleng Teng' rhythm produced by King Jammy's son, JohnJohn, Pad Anthony sings 'Caan Mek We Run Way' on another Jammys classic 'Jump Up' rhythm in his finest style.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Garnett Silk's "Every Knee Shall Bow"…over ten years from his start, Garnett was back working right where he began, with Rythem Track. Originally released posthumously in 1996 on Callo's offshoot 2-Hyped label, this is one of Silk's best ever, a high-water mark for both him and the producer, a shining example of the indelible legacies of both.

‘Runnings’ by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey’s melancholy vocal.

Dave Bailey’s ‘Concrete Jungle’ within the Redman’s catalogue is considerably one of the most popular tunes. It’s not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.