Solid roots instrumentals produced by Aston "Family Man" Barrett of the Wailers. "Soul Constitution" sees soulful organ played on tight rhythm section leaning towards funky grooves. Hard to believe it was recorded at Randy's in 1971!

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

An apposite illustration of the golden era of 70’s music

Self produced dub excursion from Dennis Bovell’s Matumbi… early pioneers of authentic UK produced reggae

Dub like it used to be from the High Note and Gay Feet labels

A selection of rocking rhythms from The Revolutionaries masterminded by

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.

Rare instrumental and dub gems, produced by Aston ‘Family Man’ Barrett
Rare instrumental and dub gems, produced by Bob Marley’s bassist and musical arranger, Aston ‘Family Man’ Barrett, between 1972-82, featuring members of the Wailers band and other stalwart musicians.

Way ahead of its time, deep reggae funk by Keith Hudson with a hint of dub.

Killer and rare late '70s dub LP, which is in fact the dub companion to I Roy's "Musical Shark Attack" LP. If you know Channel 1 albums, then you know that LP is loaded with the hardest late '70s Channel 1 roots rhythms. What most people don't know however, is that I Roy's album was actually voiced over this dub LP, as it was completed and ready before Channel set about making a new I Roy album. This is one fantastic dub LP, now properly issued, direct from master tape, in a newly designed jacket made to match the I Roy album, a companion piece in design and music. Eleven killer slices of Revolutionaries dub from 29 Maxfield Avenue, this is a Musical Dub Attack!

Minor chorded and wicked organ instrumentals by Crystalites. It is worth to be mentioned that in this song, listeners can experience the rare toasting of Ramon The Mexican who was the resident deejay at Harriott's Musical Chariot Sound System and later changed his name to Ambelique. Both sides are the two of the best Early Reggae tunes.

Classic ‘Rhapsody in Blue’, the original version of ‘Reggae Rhapsody’, was written by notable American composer and solo pianist George Gershwin in 1924. Nearly 50 years after, in 1973, Eumir Deodato edited the song and released it on CTI Records, which label was favored by Black music fans at that time. Leslie Butler recorded his keyboard version shortly after the release of Eumir Deodato version. This is another rare recording to be reissued for the very first time from the Federal catalogue. Side B features a Reggae fusion instrumental ‘Mystic Mood’ by Willie Lindo. The song became a hit and earned a position in his LP titled ‘Far and Distant’.