A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo, this album paved the way for a newborn music, Rocksteady with rather slower and tighter rhythm approach. This album should be picked one of 10 pieces of the most important album of Reggae history.

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

Dub like it used to be from the High Note and Gay Feet labels

A selection of rocking rhythms from The Revolutionaries masterminded by

A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Rare instrumental and dub gems, produced by Aston ‘Family Man’ Barrett
Rare instrumental and dub gems, produced by Bob Marley’s bassist and musical arranger, Aston ‘Family Man’ Barrett, between 1972-82, featuring members of the Wailers band and other stalwart musicians.

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

Recorded in 1964 at the Federal studio, this elegant yet unique previously unreleased album is said to be the origin of the Jamaican Mento meets 4 Beat Jazz. This brilliant album is one of the most important Jamaican Jazz recordings that Ernest Ranglin has ever made. Everything in this album starts with the traditional Caribbean Jazz classics and then develops into 4 Beat Jazz. Produced by Godfather of the Jamaican music, Ken Kouri, this album is nothing but deserves its title. You may want to add this next to the Guitar In Earnest [DSR-LP/CD-501] in your collection.

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

Superior rock steady from the vaults of Federal Records

The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions.

Because of his superior talent and intense personality, one of the most ingenious pianists Leslie Butler had a lack of releases, however he was given an exceptional chance by the Federal Records to record this one of the most peculiar albums in the history of Jamaican music. This beautifully finished Jamaican Jazz Funk/Rare Groove album is mostly constructed with the traditional covers that all Jamaicans will know although with the wonderful arrangement, and very Jamaican, ensemble stripping aesthetics give the album a whole new character that can’t be heard elsewhere.This masterpiece should make it to the shelves of not only reggae fans but soul and jazz fans as well. Leslie always committed on making a serious piece of music - never liked to make either of Jamaican popular music or business-like commercial music. He had a strong belief of not letting others to control his talent. Therefore there were often conflicts between him and producers or he was not even given a chance to record anything at all. It’s a really sad story, but this unfortunate musician’s lifestyle can be heard on the recordings such as “Guitar In Ernest – Ernest Ranglin (DSR-LP / CD-501)” and “Reggae Rhapsody – Leslie Butler (DSR-FEDS12-001).” Perhaps with this album in addition, it might be all enough.

Foundation ska from the cradle of Jamaican music…
Federal Recording Studios nurtured the talents of innumerable Jamaican artists in the early sixties… this set showcases seriously sought after rarities and previously un-released tracks from Don Drummond, The Maytals , Lynn Taitt and many more

1982 unconventional reality dancehall anthology riding upon heavy Roots Radics rhythms.

Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.

Totally killer previously unreleased dub companion LP to Flick Wilson's "School Days" LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased…until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett "What's Wrong…" album. Classic Scientist 1980 style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser.