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Max Romeo - If Them Ever (Miss Credit: Side A,B Reversed) / Randy's All Stars - Randy's All Stars
Impact UK 1975
¥3980 (US$25.17)
Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
N/A
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
Anthony Red Rose - Me No Want No Boops / Me No Want No Boops Version
Firehouse / Dub Store Records JPN 1986
N/A
Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.
Various - Contracted Killa: Ancient Tradition & Jap Jam Presents Pon De Mike Tyson
Contracted Killa Info: Original Press
N/A
Stranger Cole - Til My Dying Days (Colouerd Vinyl) / Stranger Cole, Patsy - I Need You
Beverleys 1963
N/A
Robert Lee - Come Now / Come Now Version
Jammys / Dub Store Records JPN 1989
N/A
Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.10)
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
N/A
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
John Wayne - Love It A Kill Me / Love It A Kill Me Version
Firehouse / Dub Store Records JPN 1987
N/A
The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.
Toots & The Maytals - 54-46 Was My Number / Pressure Drop (Off Center)
Beverleys UK 1969
¥2180 (US$13.79)
