Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks’ classic LP [Weh Dem Fah]. ‘Without Your Love’ was recorded on the famous ‘Wicked Can’t Run Away’ rhythm and ‘Red Eye Lover’ was on the popular Sleng Teng (Computer) rhythm.

‘Runnings’ by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey’s melancholy vocal.

One of the earliest works from the Redman’s catalogue. Little John, the dancehall veteran, performs on this steady rhythm to showcase his heart touching vocal skill. Pure roots elements are pushed to the forefront in terms of rhythm and song to create another classic Redman sound work.

Redman has versioned one of the most popular dancehall rhythm of 80’s, “Stalag” to create another unique sound. This track allowed Wayne Palmer to pass his tender lyricisms with his melancholy melodies to listeners.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

Tony Tuff, who was one of predominant figures in the 80’s dancehall scene, showcases his low-keyed performance and sings about careless people who cannot wash, cook, iron, clean, he warns them to learn something. This speedy bouncy rhythm, which is very similar to Redman’s classic rhythm “Koloko”, symbolizes astonishing sound works of Redman’s rhythm building.

Recorded to the same rhythm track ‘’New Tactics’ by Admiral Tibet. Horace Martin, who is known for his major works during the late 70’s to early 80’s, has released the LP ‘Mix Up’ on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman’s synthesizer works.

Da Da Waps is probably not familiar to many but he recorded many songs, which were mainly included in the Redman produced albums. He sings about the abolished slavery on this digital stepper rhythm. This record is highly regarded as one of sought after vinyls among the Redman’s catalogue.

On 12" we have Dave Robinson's massive tune on Leggo's awesome lick of the tempo riddim. In 1985, as the original tempo riddim was booming up the scene, Leggo was moving back and forth between his Orange Street, Kingston homebase and the Bronx, NYC. In this time he released a few tunes only in NYC, and only on 12" disco, where the format was already long-favored. Among them was this, a wicked lick of the ruling tempo riddim, huge bass and fantastic instrumentation, again arranged by Leggo's cohort Flabba Holt, and voiced by veteran rootsman Dave Robinson. A big booming vocal and the deep dub, titled "Vex."

Scion Success' "Jah Is My Hero" was originally released in 1991 on a Jah Life 12" in New York, and is one of the ruffest digital roots tunes we've heard. On the flip side, from the mid 1980's, is "Joyce Gone" by Jug Head. Originally released during the mid 80's in NY on a Dub Irator 12", this is one of the heaviest songs of lost love, a slow and bottom heavy rhythm with great synths, followed by a hard dub cut. Please note, the Scion Success tune is vocal only, as on the original release.

"Slave Trade" and "Love and Livity" were both originally released on Jamaican seven-inch, on Leggo's Cash & Carry label, and distributed from his former Orange St. record shop of the same name. Both tunes stand near the top of the heap for hard roots harmony, no small feat.

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.

When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.

Admiral Tibet calmly sings about newly established slavery system and their new wicked tactics on the heavy-weight dancehall rhythm. He showcases his stable vocal techniques with his very own cool & smooth lyric flow to match with this minor coded rhythm. Another crucial song among the Redman’s catalogue.

Slave Trade" and "Love and Livity" were both originally released on Jamaican seven-inch, on Leggo's Cash & Carry label, and distributed from his former Orange St. record shop of the same name. Both tunes stand near the top of the heap for hard roots harmony, no small feat.

Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.

One of the Redman’s earliest works is a song called ‘When I Release’ by Puddy Roots, who was very active artist during the 80’s. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy’s impressive singing style.