From 1986, "Duppy" by The Hax. A tune which blew us away from first listen with its amazingly advanced digital riddim, played live and arranged by Leggo's longtime spar Flabba Holt of the Roots Radics. The Hax, another unsung DKR favorite singer who did most of his recording for Leggo, sings "Duppy", delivering a warning with a killer Waterhouse-style vocal…."nuh go dung deh!"

Although Banana Man is not a famous figure in the business as he was not a prolific artist, his funs still remember his soundsystem anthems and his unique name. ‘Musical Murder’ considerably one of his best works on the King Jammy’s digitally versioned ‘Wicked Can’t Run Awa’ rhythm.

Admiral Tibet maintained himself as one of forefront cultural singers during the 80’s and the early 90’s. He consciously warns his girl friend about their love relationship with his melodious lyrics. “May be, Might be, Could it be, Girl you are running from reality”

Sugar Minott always showcased his versatile talent by singing lover’s rock to dancehall songs and attracted a variety of wide audiences. Certainly, he proves this ability on the ‘Tonight’ rhythm, which is regarded as one of the most popular rhythms among the Jammys catalogue. On the flip side, Pad Anthony sings a soundclash anthem to the same rhythm. The song only appeared on a LP album entitled ‘Sound Clash 89’.

Little John, who was one of the most remarkable figures at various sound system dances for his talent, delivers sorrowful vocal with his distinctive lyrical flow on this song ‘Come Do It To Me’. Recorded to a surging and whirling digital dancehall rhythm track ‘Screechie Across The Border’.

One of the baddest double-sided late 80s digital twelve-inches from one of our favorite singers, now back on road! King Kong self-produced and released this disco in the UK, with 'He Was a Friend' also coming out on seven-inch in JA on the Jah All Mighty label. 'He Was a Friend' is an awesome far-east tinged riddim, the lyrics a memorial tribute to the late great Tenor Saw, a spar and friend of King Kong. 'Try Not I' is a pure sound killing tune, over a spare but heavy and menacing riddim.

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers.

Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time.
'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Originally, ‘Like A Dragon’ came out the Wayne Smith’s classical album [Undewr Mi Sleng Teng] while Dennis Brown’s ‘History’ on the flip side appeared in an album entitled ‘History’on the Live & Love label. Both titles are previously unreleased on 7inch vinyl record.

Johnny Osbourne recorded many major hit songs such as ‘Buddy Bye’and ‘On The Right Track’ for King Jammy. And ‘Chain Robbery’ is one of those and still regarded as one of his best works with King Jammy by the 80’s hardcore dancehall funs.

Since the early dancehall period, Echo Minott aka Noel Phillips recorded some songs for King Jammy. After having a hit single ‘Murder Weapon’ on the Signet label in 1992, the deejay became absent in the business and away from Jamaica for nearly 2 year. But he came back to the scene with another hit ‘I Am Back’ produced by King Jammy.

While digital dancehall was gaining in popularity since 1985, Pad Anthony released a large number of classical songs with King Jammy. ‘Dangerous System’ is one of his major songs. The artist focuses on systematic oppression as his theme to deliver his warning lyrics to the same rhythm track ‘Like A Dragon’ by Wayne Smith and ‘History’ by Dennis Brown.

ony Roach's "Big Bout Yah" has been one of our favorite tunes for years, the riddim a killer variation on 'tempo'.

It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

'Love Light Of Mine'by Horace Andy and 'Ready For Your Loving' by Frankie Paul were both on their King Jammy produced album 'Haul And Jack Up' and 'Sara' repeatedly. Both songs were recorded on its original rhythm 'Chuck Turner - We Rule The Dancehall'. Those two veteran artists showcase their long time calm vocal skills on this bouncy dancehall rhythm to make those recordings quite tough.

Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

Admiral Tibet calmly sings about newly established slavery system and their new wicked tactics on the heavy-weight dancehall rhythm. He showcases his stable vocal techniques with his very own cool & smooth lyric flow to match with this minor coded rhythm. Another crucial song among the Redman’s catalogue.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

Dave Bailey’s ‘Concrete Jungle’ within the Redman’s catalogue is considerably one of the most popular tunes. It’s not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

‘Runnings’ by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey’s melancholy vocal.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

Anthony Selassie's "Busy Body", voiced on one of the best-ever digital cuts of the 'green bay' riddim.

Tony Roach's "Enterainer", voiced on one of the best-ever digital cuts of the 'green bay' riddim.