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Tonto Irie - Life Story / Life Story Version
Jammys / Dub Store Records JPN 1985
N/A
Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time.
'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
N/A
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Wayne Smith - Ickey All Over / Ickey All Over Version
Jammys / Dub Store Records JPN 1985
N/A
It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.
Anthony Red Rose - Me No Want No Boops / Me No Want No Boops Version
Firehouse / Dub Store Records JPN 1986
N/A
Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.
Johnny Osbourne - Line Up / Trevor Levy - Nah Run From No Clash
Firehouse / Dub Store Records JPN 1988
N/A
When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.
Carl Meeks - Danger / Danger Version
Redman / Dub Store Records JPN 1989
¥1680 (US$10.65)
To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.
Conroy Smith - Sugar Me / Sugar Me Version
Jammys / Dub Store Records JPN 1989
¥1280 (US$8.12)
A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.
John Wayne - Love It A Kill Me / Love It A Kill Me Version
Firehouse / Dub Store Records JPN 1987
N/A
The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.
Super Black - Rising Star / Rising Star Version
Firehouse / Dub Store Records JPN 1987
¥1680 (US$10.65)
Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.
Errol Bellot - What A Wonderful Feeling (Yellow or Clear Coloured Vinyl) / Tempo Feelings
Ruddy & Redeye UK / Unity Sounds UK 1988
¥950 ¥499 (US$3.16)
Willie Williams - Sweet Home / Black Victory Band; Colarman - Sweet Dub; Budget
Black Victory / Dug Out UK 1986
¥1580 (US$10.02)
Jah Life / Bond Export / Deeper Knowledge US 1988
N/A
"Come Down" was made in the same sessions as Kong's massive "He Was a Friend" (reissued by DKR a while back on 12", and still available!), and never released until now. Pure uptempo digital fire!
Robert Lee - Come Now / Come Now Version
Jammys / Dub Store Records JPN 1989
N/A
Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.12)
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!
Robert Lee, Bunny General - Midnight Hour / Midnight Hour Version
Jammys / Dub Store Records JPN 1988
¥1680 (US$10.65)
Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.
Horace Martin - Geow Now / Geow Now Version
Redman / Dub Store Records JPN 1986
¥1680 (US$10.65)
Recorded to the same rhythm track ‘’New Tactics’ by Admiral Tibet. Horace Martin, who is known for his major works during the late 70’s to early 80’s, has released the LP ‘Mix Up’ on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman’s synthesizer works.
Conroy Smith - Love Affair / Love Affair Version
Jammys / Dub Store Records JPN 1987
¥1280 (US$8.12)
From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.
Junior Delgado - Run Come / King Kong - Can't Ride Computer
Jammys / Dub Store Records JPN 1985
N/A
Along with the Sleng Teng and Stalag rhythm, King Tubby produced ‘Tempo’ rhythm is considerably one of the most loved dancehall rhythms ever. This record on Tempo rhythm features a soulful love song ‘Run Come’ by roots singer, Junior Delgado and another aggressive song ‘Can’t Ride Computer’ by King Kong.
Johnny Osbourne - Road Block / Little John - Come Fe Mash It
Prince Jammys Dub / Dub Store Records JPN 1985
Billy Jean B: Stalag
N/A
Johnny Osbourne, who recorded many of numerous hit tunes for Jammys, sings a killer number 'Line Up', which is favored by 80's dancehall lovers. On the Side-B, Little John severely performs extraordinary dubplate special 'Come Fe Mash It' on 'Stalag' rhythm.