‘Runnings’ by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey’s melancholy vocal.

From 1987, a piece of one-away digital fire, "Serious Thing" by Suru Board. Originally released on Tuff Gong studio's 56 Hope Road label, and produced by Tuff Gong mainstay and Jam Rock label boss Denzel Bowford, alongside the late Wailers' associate Trevor Bow. This is prime digital reggae, a scorching riddim with killer synths, and fantastic vocal from the young Suru Board (please note, the spelling of "Surn" Board on the original label was a typo!) Like the lyrics say, "serious mi serious, and me nah mek no joke!", serious digital reggae, deservedly available again.

Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.

Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

Dave Bailey’s ‘Concrete Jungle’ within the Redman’s catalogue is considerably one of the most popular tunes. It’s not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

Da Da Waps is probably not familiar to many but he recorded many songs, which were mainly included in the Redman produced albums. He sings about the abolished slavery on this digital stepper rhythm. This record is highly regarded as one of sought after vinyls among the Redman’s catalogue.

Self-produced by Junior Murvin at King Tubby's in 1987, and released via Tubby's then-active Taurus imprint. Fans of digital reggae are well aware of the brilliant and unique digital riddims being cut at Tubby's in the late '80s by the likes of Asher, Peego, Fatman, Benbow, and others. But besides the immortal 'Tempo' riddim and its variations, there are monsters like 'Babylon', 'Inna De Ghetto', 'Grammy', and many more. And then there is this one, perhaps more singular and deadly than almost all of them, yet only lesser-known by virtue of its rarity. Junior Murvin's beautiful falsetto floats on top of a monstrous and mind-boggling one-away riddim that could only have come from Dromilly Avenue.

From 1986, "Joker Bad Boy" by Cane Juice. A tune which blew us away from first listen with an amazingly advanced digital riddim, played live and arranged by Leggo's longtime spar Flabba Holt of the Roots Radics. Cane Juice, long one of our favorite singers, sends a message about all false bad boys, with his infamous lyric "nuff bwoy a love up di gun but dem fraid a di bullet".