rom a slightly later date than the Uprising label singles, here's a killer double sided discomix 10" on the Stereo Uprising label. One side features Thomas White's "Ivory Girl", a haunting vocal over a killer Black Ark rhythm. This was originally released on the Hit Run label, licensed to the label while Stereo was in the UK in the early '80s. On the B-side we have the awesome "Crab in a Barrel" by Still Cool. Still Cool was a fantastic harmony group that Stereo produced many tracks with in the late '70s/early '80s. This tune was only ever released as the B-side of the rare NY 12" issue of Still Cool's "To Be Poor Is a Crime" single, popularized in the UK via heavy play by Jah Shaka, who also released it on single on his own label. This "Stereo Uprising" label design was used by Stereo when he was resident in the Bronx and releasing some 12-inch singles.

From a slightly later date than the Uprising label singles, here's a killer double sided discomix 10" on the Stereo Uprising label. One side features Thomas White's "Ivory Girl", a haunting vocal over a killer Black Ark rhythm. This was originally released on the Hit Run label, licensed to the label while Stereo was in the UK in the early '80s. On the B-side we have the awesome "Crab in a Barrel" by Still Cool. Still Cool was a fantastic harmony group that Stereo produced many tracks with in the late '70s/early '80s. This tune was only ever released as the B-side of the rare NY 12" issue of Still Cool's "To Be Poor Is a Crime" single, popularized in the UK via heavy play by Jah Shaka, who also released it on single on his own label. This "Stereo Uprising" label design was used by Stereo when he was resident in the Bronx and releasing some 12-inch singles.

Finally, a reissue program of Carl "Stereo" Fletcher's amazing mid 1970's Uprising label. Stereo was a singer and producer who's handful of roots reggae releases on his Uprising and Stereo Beat labels in the mid-late '70s are some of the best of the era. Affiliated with the 12 Tribes of Israel musicians, Stereo's productions captured some of their best performances. We'll be (re)issuing some of the best released and previously unreleased cuts from this '70s era and beyond, as Stereo has kept producing right thru to the present day. Thru our previous releases on the Negus Music label (with more yet to come!), you should know how much we like Albert "Ilawi" Malawi. Known as a great drummer and also as selector of the legendary Jah Love sound system, Ilawi is also a fantastic vocalist and here is maybe his best record, one of the best roots records of the 1970's, and a great dub mixed by Sylvan Morris.

Deep late '70s roots from Prince Far I's CRY TUFF label. Only ever released on JA 45, reissued for the first time. A monster instrumental/dub single, Deadly Headley and Asher's killer lick of the 'drum song' riddim, wicked horns, keyboard and melodica at the forefront. RIP Prince Far I, your legacy of music lives on.

Stephanie Samuels 'Africa We Want to Go', beautiful one-away deep roots with birdsong, truly mystical tune.

Recorded in 1974, this is Junior Murvin's first Roots tune ever. Having always been sought after by collectors, this song is possibly the ultimate classic. This is a completely different take from the one Junior Murvin recorded for Lee Perry in 1977 for the “Police and Thieves” LP distributed by Island. Undoubtedly this is one of Murvin’s best tunes, which should be in every collector’s record box.

This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.

A great double-sider, Leroy Smart's "Love Me Tonight" and Super Chick's "Bees Man." The Leroy is on the same killer riddim, which we call "Over Me", as tunes we've previously released by Barry Brown and Horace Andy. The Super Chick tune is the deejay cut to the "fight fight" riddim and one of our all-time favorite female deejay tunes. Both sides with dubs!

The Channel 1 Lost & Found series of previously unreleased music continues with more killer ten inches. Two heavy shots from Horace Ferguson. Before hitting with "Sensi Addict" for Prince Jazzbo, Horace Ferguson voiced some tunes for Channel 1, like "Fever" and "Walk Out On Me", both of which were issued on 12"s on CH1's JEDI imprint. However, there was more on tape, and how these two bombs didn't end up on release, we don't know, but here they are now. Strictly early 1980's reality style, again in a heavy style that bears the hallmarks of the Roots Radics/Scientist combination. Both tunes with dubs.

"Slave Trade" and "Love and Livity" were both originally released on Jamaican seven-inch, on Leggo's Cash & Carry label, and distributed from his former Orange St. record shop of the same name. Both tunes stand near the top of the heap for hard roots harmony, no small feat.

The mighty Delroy Wilson, one of Jamaica's biggest artists. "Give Me Your Love" was released on a Delroy LP again on the WARICKA label, which was mostly sold as a blank label pre-release with no cover, although copies with labels and/or a silk-screened cover also exist. This is a phenomenal cut on the mournful and heavy 'Artibella' rhythm, with a killer organ sound that we just love. This tune is backed by a dub cut with horns and bongos, lifted from an extremely rare blank-label Sir Collins compilation LP. We've heard tell that the vocal cut also comes on blank label pre-release 7-inch, but haven't seen it. Can anyone confirm? In any case this tune is one of our favorite of its era, essential to any Delroy Wilson selection.

Awesome second cut on the "Guiding Light" rhythm from the Fashioneers, in this incarnation, just Leonard Billings & Glenford McLeggan, from after Jaiq Sterling had departed. Recorded and mixed at Channel 1, late '70s.

Slave Trade" and "Love and Livity" were both originally released on Jamaican seven-inch, on Leggo's Cash & Carry label, and distributed from his former Orange St. record shop of the same name. Both tunes stand near the top of the heap for hard roots harmony, no small feat.

Awesome heavy roots harmony from ~1975, recorded and mixed at Channel 1.

"Conquering Lion" was given by Jazzbo to the then-young Coxsone sound system in London, for play and promotion on the sound.