|
Cultural Roots - No Fish Head / King Tubbys - No Fish Head Version
King Tubby's Dub Plate / Dub Store Records JPN 1985
¥1480 (US$9.48)
Recorded in 1985, previously unreleased Tubby's early digital super killer recorded from master tape.
Lilly Melody - What Your Sound Can Do / King Tubbys - What Your Sound Can Do Version
King Tubby's Dub Plate / Dub Store Records JPN 1986
¥1480 (US$9.48)
If you are Tubby freak you may know this dubplate cut. Recorded directly from the mastertape.
Various - Redman International Dancehall 1985-1989
Dub Store Records JPN 1985- 1989
¥2780 (US$17.80)
Redman International Dancehall 1985-1989 press sheet by David Katz
Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.
Junior Murvin - Africa / Delroy Smart - Johnny
King Tubby's Dub Plate / Dub Store Records JPN 1986
¥1480 (US$9.48)
Recorded on the very same day as People Music (DSR-LT7-01-A), here comes Junior Murvin cut crying for his brothers in the homeland. On flip side a Delroy Smart vocal on the same rhythm.
Earl Sixteen - People Music / King Tubbys - Conquering Lion Version
King Tubby's Dub Plate / Dub Store Records JPN 1986
¥1480 (US$9.48)
Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.
Various - Redman International Dancehall 1985-1989 (2LP)
Dub Store Records JPN 1985- 1989
¥4320 (US$27.66)
Redman International Dancehall 1985-1989 press sheet by David Katz
Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.
Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.19)
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!
Wailing Souls - Chatty Mouth; Version / Dennis Brown - Now And Forever; Version
Jammys / Jah Finger UK 1985
¥2580 (US$16.52)
Nitty Gritty - Good Morning Teacher / Good Morning Teacher Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.19)
Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.
Mikey Murka - Ride The Riddim (Dubplate Mix) (Coloured Vinyl) / Rude Rock (Dubplate Mix)
Ruddy & Redeye UK / Unity Sounds UK 1988
¥980 ¥399 (US$2.55)
Errol Bellot - What A Wonderful Feeling (Yellow or Clear Coloured Vinyl) / Tempo Feelings
Ruddy & Redeye UK / Unity Sounds UK 1988
¥950 ¥499 (US$3.19)
Selah Collins - Try Try (Dubplate Mix) (Coloured Vinyl) / Progressive Riddim (Dubplate Mix)
Ruddy & Redeye UK / Unity Sounds UK 1988
¥570 ¥399 (US$2.55)
Selah Collins - Pick A Sound (Dubplate Mix) (Colored Vinyl) / Egyptian Riddim (Dubplate Mix)
Ruddy & Redeye UK / Unity Sounds UK 1988
¥980 ¥299 (US$1.91)