The first release on Bunny's Solomonic label was the reflective and ambitious 'Search For Love' credited to 'Heat, Air & Water'. Bunny sings this yearning song beautifully, the mournful horns play a variant on the traditional 'Waltzing Matilda' melody and an early incarnation of the I Threes provide the harmonious backing vocals.

Peter Tosh was the first reggae artist to realise the limitless possibilities of the melodica (listen to the Wailers' first Tuff Gong release 'Sun Is Shining') and here he adds its haunting power to one of Bunny's best ever rhythms the prophetic 'Amagideon' from 'Black Heart Man'. The melodica phrases and the subtle, restrained mixing on both sides of this single bring out all the brooding introspection and mystery in the track.

A nyabingi style killer instrumental of the roots classic Love Thy Neighbours by Jesus Dread a.k.a. Vivian Jackson.Created by a combination – the diversity of a series of personalities of the Wailers with the strict Rastaman, Vivian Jackson, this authentic Rastafari sound comes with no compromise.

A dignified roots vocal that represents the sounds of the Wailers of the time. In the 60’s, as known as the prime of time for Rocksteady, Jimmy Riley used to sing for a vocal group called the Uniques. Back then, Familyman was playing as a part of the infamous session band, the Hippy Boys in the heart of Kingston.The first ever recording of those two goes way back in 1968, so it must have been quite a reunion in this studio session.This piece was recorded around about the same time as the Cobra Style, and exactly as Familyman plotted, the veteran, Jimmy achieved the great Wailers sound.

In the 60’s, as known as the prime of time for Rocksteady, Jimmy Riley used to sing for a vocal group called the Uniques. Back then, Familyman was playing as a part of the infamous session band, the Hippy Boys in the heart of Kingston.The first ever recording of those two goes way back in 1968, so it must have been quite a reunion in this studio session.This piece was recorded around about the same time as the Cobra Style, and exactly as Familyman plotted, the veteran, Jimmy achieved the great Wailers sound.

Recorded at the same session as Cobra Style, this is a peace and love instrumental that touches your heartstrings. Perhaps designed by Family Man himself, this is a piece to chill out after being done by the killer, Cobra Style as it was originally recorded on the B-side of the same 12” – a must have for the owner of the latter. Although the instrumentals have traditionally been recorded since the 60’s, due to the cut down on the recording cost, it started to diminish since the end of the 70’s and it was really rare to see them in the 80’s, so that make it an undoubtedly precious and prestige instrumental. Comparing this to Cobra Style, there could be an endless discussion arguing which one is better however since they have such different musical concepts to each other, leave them alone to appreciate the true listening experience.

Invaluable hard Dancehall steppers by Family Man produced in the twilight of the Digital era.The Ragga sound at its peak after the Digital Revolution, Family Man still remains to be the trusted person of influence. His iconic hard steppers style bass line is non exceptional at this era, so deep like in immovability like a mountain. Ashanti Wah recorded this piece a few times after, however none of them comes even as close as this cut. Officially first time to be released as a single.

One of the many spiritual and cultural classic lyrics that Bunny Wailer has written, and this is an exclusive single take. The lyrics - written soon after he was arrested due to the possession of Marijuana, can be heard as “Fight Against Conviction” on one of the most important roots reggae album to date, Blackheart Man, although this recording is an early take released in 1974 by the Wailers.

A classic Rasta Man song sung by Bunny Wailer, the most devoted Rastafarian out of all the Wailers. This unforgettable Rasta Man Anthem was released just before one of the most important roots reggae album to date, Blackheart Man dropped. Unlike the original release, this single take is backed with a dub cut.

In 1966, Bunny Wailer started singing spiritual lyrics before anyone else, and this masterpiece he sung about returning to Africa was written while he was still recording for Studio One. Although it was originally recorded for Studio One, it has never seen the day of light. Then Lee Perry recorded it again and released in 1971. This particular take was recorded especially for the album in 1976 and released from Island Records UK as a single.