Flick Wilson's "School Days" album has long been one of our all-time favorite LP's through it's killer combination of super heavy Roots Radics rhythms, wild Scientist mixing, and the Flick's unique singing, often with falsetto. Never widely available and only ever released in NYC, it's now deservedly reissued.

"Conquering Lion" was given by Jazzbo to the then-young Coxsone sound system in London, for play and promotion on the sound.

Prince Jazzbo did indeed produce two other cuts on the same rhythm as Naggo Morris' "Bootlegger", by The Invaders, a harmony group from Greenwich Farm and Trenchtown! One cut, "Conquering Lion" was given by Jazzbo to the then-young Coxsone sound system in London, for play and promotion on the sound. Over the years and through the Capitol Radio broadcast, the tune became legendary. The other cut, "Heaven & Earth" was released in Jamaica for the Invaders on their own new Invader label.

From a slightly later date than the Uprising label singles, here's a killer double sided discomix 10" on the Stereo Uprising label. One side features Thomas White's "Ivory Girl", a haunting vocal over a killer Black Ark rhythm. This was originally released on the Hit Run label, licensed to the label while Stereo was in the UK in the early '80s. On the B-side we have the awesome "Crab in a Barrel" by Still Cool. Still Cool was a fantastic harmony group that Stereo produced many tracks with in the late '70s/early '80s. This tune was only ever released as the B-side of the rare NY 12" issue of Still Cool's "To Be Poor Is a Crime" single, popularized in the UK via heavy play by Jah Shaka, who also released it on single on his own label. This "Stereo Uprising" label design was used by Stereo when he was resident in the Bronx and releasing some 12-inch singles.