Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

‘Do I Worry’is as important Rocksteady tune as Derrick Harriott’s other hit‘The Loser’in his vast catalog. The B-side features powerful horn blow and Bobby Ellis’ trumpet solo is nicely done. Reissued with these original recordings on both sides.

Studio One’s golden Rocksteady cover; even hipper and cooler than the original by the Impressions. The original has been known for its excellent lyric and melodies, thanks to the composer Curtis Mayfield, however the Minstrells brought this to a total perfection. Even though the Minstrells left us a small number of recordings, the great vocal group had such a high standard for every single one of them. If you’ve listened to the original press of this tune, you will find the intro has been cut, unfortunately that was the same deal for the master-tape itself. The nice rocksteady by the firm but short-lived Hamlins comes on the other side. Both have been recorded from the original master-tapes.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.

Also known as The Silvertones, lead by momorable piano riff The Valentine's uptempo chorus rocksteady and keyboard genius Leslie Butler's extra funky instrumental on flip. Both sides taken from the mastertape.

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

Judy Mowatt used to form a group called the Gaylettes in her early career although she is known for touring all over the world as a member of I Threes and the Wailers. 'Silent River Runs Deep' is the most known song and a hit for the group. 'I Like Your World' was also originally released on the A-side of another record released on Merritone label. Those recordings of this double A-sided single are certainly great enduring female Rocksteady songs of all time.

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

Moving rocksteady vocal from Delroy Williams, George Allison, Ricky Grant a.k.a The Afrotones backed with killer funky instrumental from the maestro.

Recorded in 1967 and previously unreleased material from the original master tape. This elegant but also distinctive recording is certainly incomparable to other recordings appeared during the Rocksteady era. Veteran singer, Eddie Perkins, started his career in the early 1960s and he worked with Alton Ellis as duo called Alton and Eddy.

The Renegades showcase one of their valuable early works to perfection. 'Big And Fine' was originally released 1966 and collectors would say the record is one of the most sought after records by the group. It also features Oswald Sewell 's previously unreleased Ska vocal material 'Oh My Love' from the original master tape on the B-side.

This deep Ska instrumental 'Sai Pan' features a beautiful solo by Roland Alphonso. The most sought after record of Merritone Ska and a crucial for all Ska lovers. On the flipside, the record features a mid-tempo Rude Boy Ska anthem 'Born To Rule' by Black Brothers, the song was taken straight from the original master tape for this reissue. Another hard to find record released in 1966.

Previously unreleased material from the original master tape. Ethiopians recorded a couple of songs for Merritone label in 1976. During this proto-reggae/roots period, they surprisingly recorded this roots song ‘You Got To Be Clean’ with lyrics referring to “Zion” in 1966. Side B is a love song that expresses sentimental feelings of a boy who fail in love with a girl.

'Stranger For Durango is a bright instrumental performed by Roland Alphonso. Ska/Rocksteady lover's delight! The song also features remarkable solo on keyboard. The musician remakes Simon & Garfunkle's 'Sound of Silence' in a graceful Rocksteady style. Those recordings were originally released in 1966 and reissued from the original master tape.

Originally released in 1966, 'Cool Collie' is sometimes considered as one of the first Rocksteady recordings. With hard hit paformance by the back band, Hepetone Lewis sings to free Ganja which is the one of the essential elements of Jamaican music tradition.B-side, Mr. Rocksteady performs a bitter love song in a minor key.

Another rare recordings from Merritone label released in 1966, ‘Fountain Bliss’ is a heartful love song with cheerful piano and brass instruments. On the B-side, feartured nice saxsophone solo, a heartbreaking love song in Rude Boy Ska style performed by Daynamites.

A very rare and beautiful Rocksteady tune that collectors are after for many years. The Minstrels released mere amount of records but all of them were top-notch recordings. This 1967 released powerful ‘Hey There Lonely Girl’ is crucial for every Rocksteady fans. Acappella version of the song is included on the B-side.

Hopeton Lewis’ vocal matches perfectly with alto sax, which you hear backing ‘Don’t Cry’. In addition to this minor-coded love song, the flipside features another rough and tough Rocksteady hit.

A fine vocal Rocksteady'All Night'is known as a killer dubplate owned by Duke Vin, who is regarded as a pioneer of sound system culture in UK. The flip side'The Ticker'was more popular than the A-side and in UK, allegedly no one else besides Duke Vin owned the vinyl until 90's. The song must have been a special attachment in his Dub Plate box.

The Tartans were like the 70’s reggae all-stars, and this is their early big hit along with a rare Lynn Taitt’s instrumental! Formed by Prince Lincoln, Cedric Myton and Devon Russell, the Tartans brilliantly represent the “oldies but goodies’”vibe on the A-side. Flipping over to the B-side is the Lynn Taitt’s interpretation of the Miriam Makeba’s hit tune. Mysteriously it’s been unknown if this rare piece has been put out as a single or still being unreleased.

Superior rock steady from the vaults of Federal Records

The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.

For all collectors here is a great reissue of rare rocksteady from The Gaylads. Wonderful chorus works by the group that are thought to be some of the greatest works the Gaylads after Studio One era.

Released as The Seraphines prior to the formation of Stranger & Gladdy, fabulous chorus gem backed with previously unreleased cut on flip.

Glen Brown pleasantly covering the familiar Beatles classic not to mention stunning arrangement by Bunny Lee. Backed with popular female rocksteady vocal

Rocksteady cover of the undoubtable Impressions’ anthem. Out of many rocksteady tunes this one stands out with its splendid arrange and engineering genius. Backed with The Uniques legendary “Never Let Me Go”.

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

The Renegades consisted of Winston 'Pipe' Matthews, Lloyd 'Bread' McDonald and George 'Buddy' Haye and later became a group called the Wailing Souls. ‘Knocking On My Door’ is one of their earliest Rocksteady works and it was originally released in 1966. It is also one of the rarest records hardly ever found. The record features previously unreleased Ska vocal recording ' Pick Youreself Up' by Hopeton Lewis from the original master tape.

Derrick Harriott’s original cut to sound system foundation rhythm ‘Solomon’. Derrick sings comically about Solomon, who was given wisdom amongst of all mankind from God in the Old Testament: “Solomon was the wisest man but he didn't know the secrets of a woman” The hit rhythm has been versioned many times over last four decades. On side B, there is a nice & cool horn instrumental entitled ‘The Emperor’ by Bobby Ellis, its title might imply Derrick Harriott productions had a good taste in music at that time.

Another Invaders 45, "Story of Love" backed with its deejay version, "Holy Mountain." Another tune only released on a blank label originally, and thus the identity of the artists has long been speculated, but the mastertape revealed the mysterious Invaders again! "Story of Love" is an excellent early '70s tune, with great harmonies and organ, the flipside "Holy Mountain" being a deejay version on the same rhythm, with the vocalist chatting thanks and praises in Amharic, roots indeed.

The very first Merritone ska classic released under its project the Federal Ska! Featuring a classic Rocksteady tune from no other than Lynn Taitt on the flip. No one else but him should be qualified as the Mr. Rocksteay, Hopeton Lewis presents a rare early Ska! Reminding the good old days in Kingston with slow, nice and easy vibes. On the B-side, Lynn Taitt just proves again how tight and heavy the sound was at the Federal studio back then with this great piece of music.

A rare previously unreleased Rocksteady by Federal’s star singer, Hopeton Lewis. This killer Rocksteady represents one of the traditional elements of Jamaica, as well as the Rude Boy themed warning which could be heard in the lyrics. These types of unreleased materials could only be dug out at such a profound label, Federal.