At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

The Channel 1 Lost & Found series returns for it's fourth installment and it's the biggest and baddest one yet. Clarence Parks comes in heavy with two awesome tunes, both previously unreleased, again, both sides with dubs. You may recognize the rhythm for "Been So Long" from Half Pint's "Freedom Fighter" and a handful of other tunes, yet another killer Radics riddim employed by several producers working at CH1 at the time. The flip side "Mt. Zion" is a one-away riddim as far as we know, but we wish it wasn't! Heavy stuff, but that's not all…more unreleased Clarence Parks still to come!

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Versions, dubwise, horn riffs and what not – all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

This tune needs little introduction, monster roots from 1977. Everton Dacres, cousin to Barrington Levy and member of the Mighty Multitudes group along with Barrington, cut only a few tunes as a solo artist and this is one of them. Produced by Lloyd 'Charmers' Tyrell, issued on his LTD label.