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Lozzy, Mountaineers - Holding On (To Life) / Tip A Top Orchestra - I Remember Her
Tip A Top EU 2021
N/A
Red Spider, Minmi, 三木道三, Apollo, Kira, Kenty Gross, Bes, Natural Weapon - 麻の中の蓬 / Kenty Gross, Apollo, Natural Weapon - Yolo
カエルスタジオ JPN 2021
N/A
Ska Flames, Ego Wrappin - Wherever You May Be (Full Band Take) / (Mol Mol Dub Take)
ディ! JPN 2021
¥2750 (US$17.52)
Alton Ellis - You Made Me So Happy / Tommy Mccook - Duke's Reggae
Duke / Buyreggae EU 1970
¥1880 (US$11.98)
Johnny Valuti, Skatanauts - Upshot / Sir Jay, Skatanauts - Barefoot Boy
Tip A Top EU 2021
¥1980 (US$12.62)
Johnny, Dana & Lorraine - My Praise / Sir Jay, Skatanauts - Spiritual Force
Tip A Top EU 2021
¥1980 (US$12.62)
Barry Isaacs - Spiritual Warriors; Spiritual Dub / Send Them Back; Forward Dub
Reggae On Top UK 2021
¥2680 (US$17.08)
Frankie Jones - Time Is The Master / Winston Wright - A Stepping Mood
Common Ground International UK 1977
¥2880 (US$18.35)
Chosen Few - People Make The World Go Round / Derrick Harriott - Brown Baby
Crystal / Dub Store Records JPN 1972/ 1973
N/A
One of the best cover versions of a Philadelphia Soul classic, "People Makes The World Go Round" is performed by Chosen Few, who were idolizing The Stylistics so much. The flip side “Brown Baby" is another Funky Reggae vocal sang by the producer Derrick Harriott himself
Larry Marshall - Stop Your Crying (Original Stamper) / A Dis A Candy
Studio One 1969
¥1180 (US$7.52)
Polylined Card Sleeve - 7" Handmade Brown Polylined Card -- All 5 colors QTY. 50 (Made in Japan)
¥6750 (US$43.01)
High quality hand-made sleeve for precious collector’s items. Pack of 50.
A pair of thick flat kraft papers colour taped on both sides by Japanese craftsmen prevents damaging vinyl caused by bag gussets. Glued poly inner also protects the label from friction which is very imporant as well as making it easier to slide records in and out ensuring its use for both careful collectors and heavy users.
Various - Merritone Rock Steady 2: This Music Got Soul 1966-1967 (2LP)
Dub Store Records JPN 1966- 1967
¥5380 (US$34.28)
American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.
In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.
Various Artists - Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968 (2LP
Dub Store Records JPN 1960- 1968
¥5380 (US$34.28)
Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from
Zabandis - Identification (Extended) / Better Yourself (Extended)
Hornin' Sounds EU 197-
¥4180 (US$26.64)
Bitty Mclean - Heart Mind & Soul EP (10" + CD) (Picture Sleeve)
Taxi / Silent River UK 2015
A1: Midnight Cowboy A2: Mother Nature B2: Money Love
N/A
Twinkle Rootz Sound, Horace Andy - Sidewalk Freedom / Let Us Do Sidewalk Version
Old Hard Bread EU 2021
¥2880 (US$18.35)
Delton Schreechie - Jah Is My Light; Jah Is My Light Version / Rod Tayler - Night In September; Night In September Version
Papa Kojak EU 197-
¥3180 (US$20.26)
Lynn Taitt & The Jets - Rock Steady Greatest Hits
N/A
Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.
Various - Merritone Rock Steady 1: Shanty Town Curfew 1966-1967
Dub Store Records JPN 1966- 1967
¥2780 (US$17.71)
American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.
In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.
Various - Merritone Rock Steady 3: Bang Bang Rock Steady 1966-1968
Dub Store Records JPN 1966- 1967
¥2780 (US$17.71)
Superior rock steady from the vaults of Federal Records
The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.
Twinkle Rootz Sound, Tony Tuff - Hard Work / Twinkle Rootz Sound, Aba Ariginal - Bad Man Wagon
Old Hard Bread EU 2020
¥2680 (US$17.08)
Danny Red - We A Roots; We A Dub; Roots A Dub / Sama Renuka - Sacred Woman; Sacred Dub; Divine Dub
Reservoir Dub EU 2021
¥2580 (US$16.44)