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Ranking History - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

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Best sold within a week before May 30, 2023

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Bob Andy - Song Book

Studio One US 1965- 1972

¥5180 (US$32.77)

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Temporarily sold out. Uncertain delivery time

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Various - Redman International Dancehall 1985-1989

Dub Store Records JPN 1985- 1989

¥2780 (US$17.58)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

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Spindle Adapter - 7" Aluminum (Made in Japan)

Dub Store Records JPN

¥1580 (US$9.99)

Classic aluminium centre adapter for 7” records. Heavy weight, easy to handle and great fit ensuring maximum sound performance. Made in Japan.

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Don Hutson - Got To Leave This Place / Dynamite Hudson

Ashandan / Dub Store Records JPN 1973

¥1480 (US$9.36)

Recorded in 1973 accompanied by the Wailers, this truly rare masterpiece was fronted by Don Hutson, an executive of the severe Rastafarian organization, Twelve Tribes of Israel. Produced by former Jamaican National Football Team player, Allan ‘Skill’ Cole, it was released by Tuff Gong in 1973 and known as an extremely rare shot that collectors have been searching for all over the place. This beautifully sparkling classic spiritual reggae piece is undoubtedly one of the top 10s released in 1973. If you love reggae, we presume that you won’t be able to avoid this masterpiece.

70
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細野晴臣 - Hosono House

Bellwood JPN 1973

¥4400 (US$27.83)

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The Techniques & Friends - Winston Riley's Rock Steady & Early Reggae 1968-1969

Dub Store Records JPN 1968- 1969

¥3980 (US$25.17)

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.