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Catalog - ReggaeRecord.com
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Sister Nancy - Bam Bam / King Tubby - Stalag Version

Techniques / Dub Store Records JPN 1985

Stalag

¥1480 (US$13.37)

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

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Blues Busters - I Won't Let You Go / Love Me Forever

Kentone / BMN / Dub Store Records JPN 1964

¥1480 (US$13.37)

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

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Derrick Harriott - Loser / Derrick Harriott, Bobby Ellis, Desmond Miles Seven - Now We Know

Crystal / Dub Store Records JPN 1967

Loser

¥1380 (US$12.47)

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

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Hopeton Lewis - Rock A Shacka / I Don't Want Trouble

Merritone / Dub Store Records JPN 1966

¥1380 (US$12.47)

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

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Owen Gray - Give Me A Little Sign / Raver

Studio One / Dub Store Records JPN 1967

¥1580 (US$14.28)

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” ? A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

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Tomorrow's Children - Bang Bang Rock Steady / Rain (Rock Steady)

Merritone / Dub Store Records JPN 1967

¥1380 (US$12.47)

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

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Keith & Tex - Tonight / Lynn Taitt, Desmond Miles Seven - You've Caught Me

Move & Groove / Dub Store Records JPN 1967

¥1380 (US$12.47)

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

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Bunny Wailer - Rise & Shine / Solomonic Dub

Solomonic / Dub Store Records JPN 1981

¥2180 (US$19.70)

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

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Sharon Forrester - Silly Wasn't I / Now Generation - Silly Wasn't I Version

Edge / Dub Store Records JPN 1973

¥1480 (US$13.37)

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

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Bob Livingston - Reggae Music / Dilly Dally - Tell Me Why

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.37)

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

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Stephen Cheng - Always Together / Sam Carty - Rich Man, Poor Man

BMN / Dub Store Records JPN 1967

¥1480 (US$13.37)

Extremely rare rocksteady masterpiece recorded in 1967. Curiously sang in Chinese, this novelty record was originally pressed and spread within the Chinese community in Jamaica. Even though comparing to its entire population this island has exceptionally high rate of musical recordings, this could possibly be the only verified track solely sang in Chinese. One that has always been spoken about due to its oddity and should be succeeded eternally.

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Derrick Harriott - Reach Out I'll Be There / Bobby Ellis, Crystalites - Illya Kuryakin

Crystal / Dub Store Records JPN 1967

¥1380 (US$12.47)

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

¥1280 (US$11.57)

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

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Keith & Tex - Stop That Train / Bobby Ellis, Jets - Feeling Peckish

Move & Groove / Dub Store Records JPN 1967

Stop That Train

¥1380 (US$12.47)

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

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Skatalites - Freedom Sounds / Freedom Sounds (Early Take)

Studio One / Dub Store Records JPN 1964

¥1580 (US$14.28)

‘Freedom Sounds’ is the glorious introduction to the iconic Ska LP “Ska Authentic from Studio One”, and also known as the opening theme for the band’s live performances. What’s more exciting is the early take unearthed for the very first time! Although it nearly got released with the 64-65’ masterpiece ‘From Russia With Love’, then eventually got cancelled due to the release of “Ska Authentic” LP. Compare to the ordinary recording that we’re familiar with, the unreleased take comes rougher but that is also brilliant and it will sound miraculously to all the Ska fans. There have been occasions that the band played this version at number of gigs, though it depends on who was leading the performance.

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The Browne Bunch - We've Got A Good Thing Going / Now Generation - We've Got A Good Thing Going Version

Superstar / Dub Store Records JPN 1973

¥1480 (US$13.37)

Superlative reggae soul produced by Mikey Chung for his own Superstar imprint. Having both young Steely and Clevie in the band, when you think of the further development in reggae music, this production was crucial. Compared to Geoffrey’s high quality lustrous reggae soul this Jackson 5 cover is slightly different and lean towards the beauty of Jamaican pops sounds.