|
Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
N/A
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
Robert Lee - Come Now / Come Now Version
Jammys / Dub Store Records JPN 1989
N/A
Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
Chuck Turner - We Rule The Dancehall / We Rule The Dancehall Version
Jammys / Dub Store Records JPN 1987
¥1280 (US$8.23)
Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
N/A
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Nitty Gritty - Good Morning Teacher / Good Morning Teacher Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.23)
Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.
Wayne Smith - Ickey All Over / Ickey All Over Version
Jammys / Dub Store Records JPN 1985
N/A
It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.
Dennis Brown - Exit / Exit Version
Jammys / Dub Store Records JPN 1985
¥1680 (US$10.80)
'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.
Tonto Irie - Life Story / Life Story Version
Jammys / Dub Store Records JPN 1985
N/A
Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time.
'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.
Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version
Jammys / Dub Store Records JPN 1989
¥1280 (US$8.23)
'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.
Bunny Wailer - Rise & Shine / Solomonic Dub
Solomonic / Dub Store Records JPN 1981
N/A
Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.
Bob Marley, Wailers - Feel Alright / Rhythm
Wail N Soul M / Dub Store Records JPN 1968
N/A
'Feel Alright', a tune that charts the transition from rocksteady into reggae, is a version to James Brown's 'There Was A Time' adopted and adapted for Jamaican audiences over a dense choppy rhythm. James Brown's influence on reggae has seldom been acknowledged but the 'hardest working man in show business' knew and understood all about the power of the groove and the importance of a strong rhythm track. The B-side 'Instrumental' has caused Wailers scholars many a sleepless night as they strain to catch the snatches of vocals that have leaked on to the piano led rhythm for the full vocal to this backing track has never been released. Now it's your chance to do the same!
Lovindeer, Shabba Ranks - Manhunt (Original Stamper) (Skip) / Krimson Hawk - Krimson Hawk
TSOJ 1990
¥570 ¥499 (US$3.21)
Phillip Myers - Ghetto Struggle
Junior Militant / Digikiller / Deeper Knowledge US 1986
N/A
Philip Myers released only a handful of tunes in the second half of the 1980's, and among them was this now very rare 45 from 1985. The lone release on Daniel Senior's Junior Militant label, based out of Seaview Gardens, Kingston 11, this tough digital cut features lyrics about babylon coming to mash up your dance. Arranged by Noel Davey (legend has it, before the release of sleng teng!), this tune perfectly captures the digital dancehall sound just being born, and proves yet again that so many killer tunes were bubbling under but never made it into the spotlight. Thankfully, this huge tune is now back on the street, rescued from rarity and obscurity, and ready to receive its due!