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Ernest Ranglin - Mr. Ranglin With Soul
¥3680 (US$23.66)
Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.
Leslie Butler - We've Only Just Begun
N/A
Because of his superior talent and intense personality, one of the most ingenious pianists Leslie Butler had a lack of releases, however he was given an exceptional chance by the Federal Records to record this one of the most peculiar albums in the history of Jamaican music. This beautifully finished Jamaican Jazz Funk/Rare Groove album is mostly constructed with the traditional covers that all Jamaicans will know although with the wonderful arrangement, and very Jamaican, ensemble stripping aesthetics give the album a whole new character that can’t be heard elsewhere.This masterpiece should make it to the shelves of not only reggae fans but soul and jazz fans as well. Leslie always committed on making a serious piece of music - never liked to make either of Jamaican popular music or business-like commercial music. He had a strong belief of not letting others to control his talent. Therefore there were often conflicts between him and producers or he was not even given a chance to record anything at all. It’s a really sad story, but this unfortunate musician’s lifestyle can be heard on the recordings such as “Guitar In Ernest – Ernest Ranglin (DSR-LP / CD-501)” and “Reggae Rhapsody – Leslie Butler (DSR-FEDS12-001).” Perhaps with this album in addition, it might be all enough.
George Moxey, Ernest Ranglin - Plays Music For Dancing
N/A
The leading pianist of Jamaican dance music since the 1930s, this is the only jazz album he recorded in the 60s. George Moxey has made an effort in the making of Jamaican dance music since the 1930s, teaching local musicians and has been praised as “Uncle George”. Born in Nassau, the capital of Bahama, Moxey moved to Jamaica in the 1930s where he formed and led an 8-piece band since 1939. His band took a big part in developing the local ballrooms and radio stations, therefore by the 1950s, he was a vital musician in Kingston music scene. This is a lounge style Caribbean jazz by himself and the Ernest Ranglin trio. By the young Ranglin at the time, Moxey must have appeared like a giant although the trio’s performances beautifully support Moxey at all times. It would be hard not to pay attention to the combination of this piano and guitar geniuses, the whole album is mainly constructed with the traditional calypso and jazz standards, though it also contains solo piano and organ ballads as well. As Moxey used to play organs for churches, it’s interesting how you can hear bits and pieces of those influences in his music, however it may be difficult to separate the Churches and Bibles by the background of Jamaican music. After leaving Jamaica, he became an ambassador of the Caribbean music and by the 50s he already become a legend there. This sound is the zest of good ole’ days, daddy Ken Khouri's Federal Records and having it as a real background, Jamaican music develops into Ska, Reggae to modern Ragga. Everything has its own roots, so as the Jamaican music.
Tomorrow's Children - Bang Bang Rock Steady / Rain (Rock Steady)
Merritone / Dub Store Records JPN 1967
N/A
Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.
Tommy Mccook - Road Block (Original Stamper) / Lee Perry - Chatty Chatty Woman
Studio One 1964
¥850 (US$5.46)
Lester Sterling, City Slickers - Whale Bone (Original Stamper) / P. Godfrey, Bagonaires - Diamond Ring
Studio One 1962
¥1180 (US$7.59)
Junior Murvin (Junior Soul) - Rescue The Children / Rescue The Children Version
Move & Groove / Dub Store Records JPN 1974
N/A
Recorded in 1974, this is Junior Murvin's first Roots tune ever. Having always been sought after by collectors, this song is possibly the ultimate classic. This is a completely different take from the one Junior Murvin recorded for Lee Perry in 1977 for the “Police and Thieves” LP distributed by Island. Undoubtedly this is one of Murvin’s best tunes, which should be in every collector’s record box.
Zoot Simms, Roy Robinson - I'm Crying Over You (Original Stamper) / I Love You
Studio One 1960
¥2180 (US$14.01)
Dennis Brown - Silhouettes / Augustus Pablo, Crystalites - Bass & Drum Version
Move & Groove / Dub Store Records JPN 1972
N/A
'Silhouettes' is one of Dennis Brown's earliest recordings and a good old Reggae hit. The flip side features Augustus Pablo's melodica cut to the A-side. This peaceful piece proves that the early sound of King Tubby is the greatest of all.
Ernest Ranglin - Mod Mod Ranglin
N/A
A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo, this album paved the way for a newborn music, Rocksteady with rather slower and tighter rhythm approach. This album should be picked one of 10 pieces of the most important album of Reggae history.
Noel Brown - Heartbreak Girl / Man's Temptation
Crystal / Dub Store Records JPN 1968
¥1380 (US$8.87)
Later became a vocalist for Chosen Few, Noel Brown's beautiful falsetto floats on this rare Rocksteady tune. It is also an interesting piece that recorded during the transition stage from Rocksteady to Reggae. These are only songs Noel Brown did for Derrick Harriott.
Augustus Pablo - Bedroom Mazurka / Scotty - Children Children
Move & Groove / Dub Store Records JPN 1973/ 1970
¥1380 (US$8.87)
On Keith & Tex' classic tune 'Tonight,' Augustus Pablo's melodica echoes along the entire track mysteriously, while the fascinating female vocalist Fay quotes breathy lines from the popular German soft porn film Bedroom Mazurka. The flip side features Scotty's DJ version to 'Tonight.'
Hopeton Lewis - Take It Easy With The Rock Steady Beat
N/A
A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.
Augustus Pablo - Bells Of Death / Scotty - Sesame Street
Move & Groove / Dub Store Records JPN 1972/ 1970
N/A
Another popular tune in Harriott's production, performed by melodica wizard Augustus Pablo. Although this is another movie theme, this piece is a straight and great instrumental version of a Rocksteady classic, featuring melodica and bongo percussion. Scotty's wicked deejay appears on the B-side again.
Junior Murvin - Rescue Jah Children / Instrumental Dub Version
Wild Flower / Dub Store Records JPN 1976
N/A
This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.
Roland Alphonso - You Are So Dlightful (Orginal Stamper) / Slim Smith - Hip Hug Girl
Studio One 1963/ 65
N/A
Eric Monty Morris - Blackman Ska / A Spot In My Heart For You
Kentone / Dub Store Records JPN 1965
N/A
Previously unreleased vocal materials from master tapes! Eric Monty Morris sings sufferers' protest song, "Blackman work so hard, but white man gets the money, the rich shall be richer, the poor shall be poorer, something must be done soon"… At the time, most of the artists including Eric Monty Morris mainly focused on singing about love but not about conscious themes so the recording was very exceptional. B-side features previously unreleased vocal material as well. It seems that both songs were recorded for the album "Jamaican Skarama (reissued by Dub Store Records: LP/CD503)" but did not end up on the album unfortunately.
Derrick Harriott - Loser / Derrick Harriott, Bobby Ellis, Desmond Miles Seven - Now We Know
Crystal / Dub Store Records JPN 1967
N/A
‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.
Sensations - Baby Love / Roy Cousins, Royals - We Are In The Mood
Treasure Isle UK 1969/ 1970
¥1180 (US$7.59)
Snoop Lion (Snoop Dogg), Drake, Cori B - No Guns Allowed / Snoop Lion (Snoop Dogg), Mavado, Popcaan - Lighters Up
RCA US 2013
N/A
Winston Stewart - How Many Times (Original Stamper) / All Of My Life
Studio One 1964
¥2180 (US$14.01)
Ernest Ranglin - Guitar In Ernest
Info: ライナーノーツ付
N/A
Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965.
Henry Buckley - Beware Of All Those Rude Boys / If I Am Right
Merritone / Dub Store Records JPN 1966
¥1980 (US$12.73)
Merritone label endorsed Henry Buckley as a star singer of the label during the Rocksteady period. He sings "Beware of all those rude boys going around with their guns, spoiling everybody's fun" to warn behaviors of Rude Boys. It seems Rudies were everywhere when the song was released in 1966. He also showcases his conscious lyrics with song ‘If I Am Right’. The artist tried to deliver profound messages to youths. Those recordings were taken straight from the original master tape for the reissue.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
N/A
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Cables - What Kind Of World / Lester Sterling, Skatalites - Peace And Love (Original Stamper)
Studio One 1968/ 1965
N/A
Karl Bryan, Crystalites - Slippery / Crystalites - Tonight
Crystal / Dub Store Records JPN 1969/ 1970
¥1980 (US$12.73)
'Slippery' is a beautifully arranged minor-chorded sax cut to Harriott production's classic rhythm, "Tonight." B-side is a piano instrumental version to the flip side.
Dennis Brown - Lips Of Wine / Crystalites - Stranger In Town
Move & Groove / Dub Store Records JPN 1970
¥1380 (US$8.87)
Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.
Toots & The Maytals - 54-46 Was My Number / Pressure Drop (Off Center)
Beverleys UK 1969
¥2180 (US$14.01)
Wayne Smith - E20 / In Thing
Jammys / Dub Store Records JPN 1985
B: Come
¥1280 (US$8.23)
Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.
Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
N/A
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.