The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

Recorded at the height of the phenomenal carrier as the number one Ska band, these are never-released alternative takes of the ultimate instrumental Ska tune ‘Rain Or Shine’ by Skatalites and with respect, it should be called a product of miracle. Both are taken from the master tape. Recorded on the same session as ‘Last Call’ that Don Drummond was in charge, here we have two alternative takes of a seriously killer instrumental Ska which was featured as the introduction of the iconic Ska album “Ska Authentic Volume 2” Like ‘Freedom Sounds’ and other recordings made in the same period, the excavation and releasing of these tunes are much more important for Dub Store Records than the significance of the historic discovery of Pyramid! This is one extremely important and precious piece to complete the puzzle of the mystery of the late genius, Don Drummond and the magnificent tune for deep diggers of Reggae music. What a great Skatalites! What makes even cooler about this tune is that if you listen carefully for both sides, you will realize that each player is not playing a score at all; they all are improvising. It proves that they are undoubtedly the best Jamaican band of all time.

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

A pair of all time classics, soulful lovers rocksteady vocals sang by the Mr. Rocksteady a.k.a. Ken Boothe.

Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

The both-sided killer Ska instrumental masterpiece - all Ska collectors have been searching for! The Skatalites playing the theme of James Bond’s “From Russia With Love” is a true Ska instrumental masterpiece, which needs no introduction. Like the original release, it’s gorgeously backed with “Cleopatra” on the B-side. Taken straight from the original master-tape, this is a dream come true single!

The Skatalites’ killer shot interpretation of the world’s famous electric guitar inst, and the fully carnival-mode Ska played by a luxurious bunch of musicians. Originally played by the American electric guitar band, this is the proof of how Jamaicans won’t miss no trends. Guaranteed killer up-tempo Ska! Identical to the originals on flip by Jack Sparrow later known as Leonard Dillon of the Ethiopians, this praiseworthy piece features the Wailers on the backing vocal.

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

This funky reggae classic go way beyond the boundary of reggae music and reaching to every music lover out there. Beginning with the killer drum break, the Aretha Franklin cover is built to move everyone’s body! Backed with slick instrumentals produced by Lloyd Charmers, it’s about time this 7” gets reissued.

Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

High quality hand-made sleeve for precious collector’s items. Pack of 100.

A pair of thick flat kraft papers colour taped on both sides by Japanese craftsmen prevents damaging vinyl caused by bag gussets. Glued poly inner also protects the label from friction which is very imporant as well as making it easier to slide records in and out ensuring its use for both careful collectors and heavy users.

High quality hand-made sleeve for precious collector’s items. Pack of 50.

A pair of thick flat kraft papers colour taped on both sides by Japanese craftsmen prevents damaging vinyl caused by bag gussets. Glued poly inner also protects the label from friction which is very impotant as well as making it easier to slide records in and out ensuring its use for both careful collectors and heavy users.

Finally reissued, the murderous second cut of KC White's take on "No No No." A few years after his breakout 1973 tune, KC migrated to New York where he took up work at Brad's Record Den on White Plains Road in the Bronx, and began working at Bullwackie's nearby studio. It was around this time that he went back to JA and re-cut "No No No" in the updated 'rockers' style, heavier than before, and with the Heptones on harmonies. This tune was originally released as a 12" single on Brad's in-house Clocktower label, and never re-released since. Arguably better than his first take, if you like late '70s rockers this one is a must.