Classic aluminium centre adapter for 7” records. Heavy weight, easy to handle and great fit ensuring maximum sound performance. Made in Japan.

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

Slightly thicker sleeve to accommodate an inner sleeve

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

This product comes with a Ska Flames sticker. Please note the number of the stickers is limited.

From 1986, "Duppy" by The Hax. A tune which blew us away from first listen with its amazingly advanced digital riddim, played live and arranged by Leggo's longtime spar Flabba Holt of the Roots Radics. The Hax, another unsung DKR favorite singer who did most of his recording for Leggo, sings "Duppy", delivering a warning with a killer Waterhouse-style vocal…."nuh go dung deh!"

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

This product comes with a Ska Flames sticker. Please note the number of the stickers is limited.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

The Soul Vendors’ horn inst cover of a mellow Latin tune, backed with the authentic Studio One Rocksteady masterpiece. This gorgeous horn inst Rocksteady features a superb arrangement from King Cannon a.k.a. Carl ‘Cannonball’ Bryan and Roland Alphonso. Like the originals on the other side here comes the one that Island was certainly familiar with back then, the Nat King Cole’s excellent vocal cover from the Hamlins.

The Skatalites’ killer shot interpretation of the world’s famous electric guitar inst, and the fully carnival-mode Ska played by a luxurious bunch of musicians. Originally played by the American electric guitar band, this is the proof of how Jamaicans won’t miss no trends. Guaranteed killer up-tempo Ska! Identical to the originals on flip by Jack Sparrow later known as Leonard Dillon of the Ethiopians, this praiseworthy piece features the Wailers on the backing vocal.

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Another popular tune in Harriott's production, performed by melodica wizard Augustus Pablo. Although this is another movie theme, this piece is a straight and great instrumental version of a Rocksteady classic, featuring melodica and bongo percussion. Scotty's wicked deejay appears on the B-side again.

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

This funky reggae classic go way beyond the boundary of reggae music and reaching to every music lover out there. Beginning with the killer drum break, the Aretha Franklin cover is built to move everyone’s body! Backed with slick instrumentals produced by Lloyd Charmers, it’s about time this 7” gets reissued.

The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.

Covering US hits was Derrick Harriott's specialty and this tune is no exception. This is his cover version of Gene Chandler's hit that was popular on the radios at the time in Jamaica. B-side features early Lovers Rock tune by Derrick Harriott.

A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

Rough signal records is pleased to announce that the featured artist for the next release in theLegendary Series is Mighty Massa.Mighty Massa is a truly legend producer and pioneer in the Japanese Dub/Soundsystem scene.His releases and dubplates were played by Jah Shaka, Aba Shanti I in the late 90s , there aremany massive tune as UK soundsystem classic.Finally, Mighty Massa and Dub Kazman have collaborated on Rough Signal Records.Those signature sounds of both artists are mixed by Mighty Massa to create one of thewickedest tune ever.As the song title , this is a song that connects the legendary generation to the new generation.

Composed by Mighty Massa & Dub Kazman

Every song done by Keith & Tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. On A-side features a mid-tempo Rocksteady and the flip side is their cover version of Temptations’ 1968 hit.

It is an obvious fact that Dreadlocks culture was the trend of the time when this tune was released, but how could we ever imagine Derrick Harriott wearing Dreadlocks? He was wearing Afro instead and showed how he could easily cover Persuaders’ Soul hit. The flip side features another cover of a US Soul track that was transformed to a sweet Lover’s Rock by Harriott’s relative, young Kim Harriott. Apparently Harriott’s surroundings at this time were all wearing Afro even if it was the Dreadlocks era.

It was the Dreadlocks bandwagon in the mid 70’s, but Harriott, who started his career in the music business in the early 50’s, persisted his Afro hairstyle and his signature style of music, Reggae Soul and Lover’s Rock. At that time, music fans only approved serious Roots works but his music choices proved that his production was equally true and great Reggae music. Moreover his music brought to listeners a certain comfort, compared to the heavy weight Roots music that was mainly produced during this period.

Known as a synonym for “killer”, this is one of the best singles released on Studio 1 by Don Drummond, including another precious take that’s been previously unreleased. Compare to any other artists, the extreme tension that Don Drummond brings into his sessions were next level. His trombone skills were above genius and it is clear to hear his strong personality and humanity through his music. With his works being released on Studio One and other productions, he had established the “Far Eastern Sound” which still lives today in Jamaica. The fact all the music that was influenced by this sound has been evaluated since therefore it is a proof of how his music is universality. It is interesting that all the unreleased Skatalites tracks from this era have different solo phrases each time, showing how valuable these recordings are for the archive.

Recorded at the height of the phenomenal carrier as the number one Ska band, these are never-released alternative takes of the ultimate instrumental Ska tune ‘Rain Or Shine’ by Skatalites and with respect, it should be called a product of miracle. Both are taken from the master tape. Recorded on the same session as ‘Last Call’ that Don Drummond was in charge, here we have two alternative takes of a seriously killer instrumental Ska which was featured as the introduction of the iconic Ska album “Ska Authentic Volume 2” Like ‘Freedom Sounds’ and other recordings made in the same period, the excavation and releasing of these tunes are much more important for Dub Store Records than the significance of the historic discovery of Pyramid! This is one extremely important and precious piece to complete the puzzle of the mystery of the late genius, Don Drummond and the magnificent tune for deep diggers of Reggae music. What a great Skatalites! What makes even cooler about this tune is that if you listen carefully for both sides, you will realize that each player is not playing a score at all; they all are improvising. It proves that they are undoubtedly the best Jamaican band of all time.

Solid roots instrumentals produced by Aston "Family Man" Barrett of the Wailers. "Soul Constitution" sees soulful organ played on tight rhythm section leaning towards funky grooves. Hard to believe it was recorded at Randy's in 1971!

A pair of all time classics, soulful lovers rocksteady vocals sang by the Mr. Rocksteady a.k.a. Ken Boothe.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

Rated as the world’s top five trombone players, here is a stunning reissue of rare killer ska by Don Drummond backed with an authentic vocal ska with Cornell Campbell.

Versions, dubwise, horn riffs and what not – all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

‘Dance All Night’ is a hit song released by the Tartans, a Rocksteady legendary group that consisted of Prince Lincoln, Cedric Myton, Devon Russell and Lindberg Lewis, in 1966. Emphasized on double basses and piano, the song was made to praise sound system dances and it became one of the good old Rocksteady anthems of the Rude Boy era. On the B-side, the group sings ‘What I can do to save your life’ and warns rude boys for their action.

Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.