Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

A prominent singer backed by none other than the Skatalites, it is a symbolic Ska beat representing Kentone which will make everyone a smile. Although the Maytals have recorded Ska tunes for Studio One, Prince Buster and many more, they might have taken a further step when recording for the Jamaican music industry’s godfather, Ken Kouri by singing it well tight and fiery. Even for the Federal side, it must have been quite special to hire the Skatalites for this project. One minute and half might be a little too short for an A side, though this one will make you want to slip it in your DJ box every time.

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys.
Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

Superlative 70’s dub masterpiece from the Blackheart Man Bunny Wailer

Subtle interpretations of cuts from Bunny’s ‘Blackheart Man’ album together with contemporaneous Solomonic disco mixes with unsung dub masters Sylvan Morris and Karl Pitterson at the control tower

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

Sampling one of the greatest classics Black Uhuru left for Jammy’s, the remarkable roots revival tune is finally out on vinyl. Dominating the recent rasta revival movement, Cronixx sings freely bringing new life to the rhythm with his strong message. Representing the excellent side of reggae music of taking lessons from the past.

Killer roots from Marvin Brooks of The Techniques singing devotedly on a tight millitant horn beat. Not to mention a heavy deep dubwise.

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

Dub like it used to be from the High Note and Gay Feet labels

A selection of rocking rhythms from The Revolutionaries masterminded by

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Extremely rare rocksteady masterpiece recorded in 1967. Curiously sang in Chinese, this novelty record was originally pressed and spread within the Chinese community in Jamaica. Even though comparing to its entire population this island has exceptionally high rate of musical recordings, this could possibly be the only verified track solely sang in Chinese. One that has always been spoken about due to its oddity and should be succeeded eternally.

The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.

The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

Joe Higgs was a mentor for many young artists and taught them how to sing as well as about the recording industry. Many followed and learned his lessens and passed it on to coming generations. ‘You Hurt My Soul’ is one of his early recordings with his distinctive singing style. Side B is Merritone cut to the classic reggae instrumental ‘Bad Treatment’. The recordings were released in 1968 and reissued from the original master tape.

Previously unreleased rare instrumental Ska masterpieces based on Rhythm and Blues classic!

These are the previously unreleased two instrumental cuts of the cheerful cover of Amos Milburn’s Jamaican sound system classic in the 50’s sung by Clive Wilson. Clearly great and with full of vibes, if your are a Ska Man there is no way to avoid these special tunes. *Recommended to pair this with the vocal version by Clive Wilson released on this very same series (DSR-FW7-02)

Recorded at the same time as The Crashers “Musical Fight” and it’s previously unreleased material. In early 1969 when the second press of Stranger Cole & Patsy’s “True Love” came out, the version was pressed on the B-side. The reason this vocal never came out is still unknown. Backed with Sonia’s favourite The Conquerors good 69’ reggae.

Another unreleased title from one of the popular dancehall artists of the 80’s, Super Black who is also known for his contribution for Jammys. Representing the sounds of Jammys at the time, this refined digital rhythm is built in minor chord with absolute simplicity, creating an excellent chemistry with the melancholic vocal.

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

High quality hand-made sleeve for precious collector’s items. Pack of 100.

A pair of thick flat kraft papers colour taped on both sides by Japanese craftsmen prevents damaging vinyl caused by bag gussets. Glued poly inner also protects the label from friction which is very imporant as well as making it easier to slide records in and out ensuring its use for both careful collectors and heavy users.