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Dancehall 1985-1989
Various Artists - King Tubbys Presents Sound Clash Dubplate Style Various Artists - King Tubbys Presents Sound Clash Dubplate Style (Dub Store Records JPN) 1988
The quintessential eighties soundboy burial album A digital masterpiece, produced by King Tubby, containing ten certified classics of the soundboy slaughter genre with the late lamented Fuzzy Jones on introduction duties.

Heavyweight Ragga '85-'92

King Tubby

BUY
   ¥2880 (US$26.42)
Various - Gathering (jacket Damage) Various - Gathering (jacket Damage) (Various) 1988

Rhythm Album 1985-1989

June, Dennis Star

BUY
   ¥2580 ¥1780 (US$16.33)
Various - Fast Car (Fast Car Rhythm) Various - Fast Car (Fast Car Rhythm) (Steely & Clevie/VP US) 1989

Rhythm Album 1985-1989

Steely & Clevie

BUY
   ¥2080 ¥1249 (US$11.46)
Various - Redman International Dancehall 1985-1989 (2LP) Various - Redman International Dancehall 1985-1989 (2LP) (Dub Store Records JPN) 1985-1989
Redman International Dancehall 1985-1989 press sheet by David Katz Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

Heavyweight Ragga '85-'92

Hugh James

BUY
   ¥4320 (US$39.63)
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Ska / Rocksteady
Cecil Lloyd Group - I Cover The Water Front (Skip: Side B-Trk 5) Cecil Lloyd Group - I Cover The Water Front (Skip: Side B-Trk 5) (Studio One (Port-O-Jam)) 1962

Jamaican Jazz

CS Dodd

BUY
   ¥1580 ¥1480 (US$13.58)
Various Artists - Kentone Ska from Federal Records: Skalvouvia 1963-1965 Various Artists - Kentone Ska from Federal Records: Skalvouvia 1963-1965 (Dub Store Records JPN) 1963-1965
Founder of Jamaica’s first recording studio, Ken Khouri produced early ska classics 14 first-rate ska pieces including previously unreleased materials from undoubtedly the industry leading Federal Records that consisted the virtuoso Ernest Ranglin and co.

Ska

Ken Khouri

BUY
   ¥3240 (US$29.72)
Ernest Ranglin - Mr. Ranglin With Soul Ernest Ranglin - Mr. Ranglin With Soul (Dub Store Records JPN) 1968
Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.

Rock Steady

Paul Khouri

BUY
   ¥2880 (US$26.42)
Leslie Butler - We've Only Just Begun Leslie Butler - We've Only Just Begun (Dub Store Records JPN) 197-
Because of his superior talent and intense personality, one of the most ingenious pianists Leslie Butler had a lack of releases, however he was given an exceptional chance by the Federal Records to record this one of the most peculiar albums in the history of Jamaican music. This beautifully finished Jamaican Jazz Funk/Rare Groove album is mostly constructed with the traditional covers that all Jamaicans will know although with the wonderful arrangement, and very Jamaican, ensemble stripping aesthetics give the album a whole new character that can’t be heard elsewhere.This masterpiece should make it to the shelves of not only reggae fans but soul and jazz fans as well. Leslie always committed on making a serious piece of music - never liked to make either of Jamaican popular music or business-like commercial music. He had a strong belief of not letting others to control his talent. Therefore there were often conflicts between him and producers or he was not even given a chance to record anything at all. It’s a really sad story, but this unfortunate musician’s lifestyle can be heard on the recordings such as “Guitar In Ernest ? Ernest Ranglin (DSR-LP / CD-501)” and “Reggae Rhapsody ? Leslie Butler (DSR-FEDS12-001).” Perhaps with this album in addition, it might be all enough.

Jamaican Jazz

Richard Khouri

BUY
   ¥2880 (US$26.42)
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Roots Reggae
Count Ossie & The Mystic Revelation Of Rastafari - Grounation (3LP) Count Ossie & The Mystic Revelation Of Rastafari - Grounation (3LP) (Dub Store Records JPN) 1973
An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I

Nyahbingi Drumming

Mystic Revelation Of Rastafari

BUY
   ¥5800 (US$53.21)
Bunny Wailer - Dubd'sco Bunny Wailer - Dubd'sco (Dub Store Records JPN) 1978
Superlative 70’s dub masterpiece from the Blackheart Man Bunny Wailer Subtle interpretations of cuts from Bunny’s ‘Blackheart Man’ album together with contemporaneous Solomonic disco mixes with unsung dub masters Sylvan Morris and Karl Pitterson at the control tower

Bob Marley & The Wailers

Neville Livingston

BUY
   ¥3240 (US$29.72)
Hugh Mundell - Africa Must Be Free By 1983 Hugh Mundell - Africa Must Be Free By 1983 (Greensleeves UK) 1978

Augustus Pablo

Horace Swaby

BUY
   ¥3180 (US$29.17)
Bob Marley, Wailers - Rastaman Vibration (180g) Bob Marley, Wailers - Rastaman Vibration (180g) (Island US/Tuff Gong US) 1976

Bob Marley & The Wailers

Bob Marley, Wailers

BUY
   ¥3980 (US$36.51)
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Dub / Instrumental
Errol Brown & The Revolutionaries - Dub Expression Errol Brown & The Revolutionaries - Dub Expression (Dub Store Records JPN) 1978
Dub like it used to be from the High Note and Gay Feet labels A selection of rocking rhythms from The Revolutionaries masterminded by Jamaica’s finest female record producer, Mrs Sonia Pottinger, and mixed by Duke Reid’s nephew, Errol Brown, chief engineer at the legendary Treasure Isle studio.

Dub 1970s

Sonia Pottinger

BUY
   ¥2880 (US$26.42)
Tommy McCook - Sannic Sounds Tommy McCook - Sannic Sounds (Dub Store Records JPN) 1973
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Including liner notes from Harry Hawks.

Instrumental Reggae

Glen Brown

BUY
   ¥3240 (US$29.72)
Gladstone Anderson - Gladdy Unlimited Gladstone Anderson - Gladdy Unlimited (Moodisc US) 1977

Instrumental Reggae

Harry Mudie

BUY
   ¥3680 (US$33.76)
King Tubby - Meets The Aggrovators At Dub Station King Tubby - Meets The Aggrovators At Dub Station (Radiation Roots EU) 1976

Dub 1970s

Bunny Lee

BUY
   ¥3280 (US$30.09)
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