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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

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Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits (VP US) 1985

Rhythm Album 1985-1989

Lloyd James

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   ¥2680 (US$25.22)
Various - Redman International Dancehall 1985-1989 Various - Redman International Dancehall 1985-1989 (Dub Store Records JPN) 1985-1989
Redman International Dancehall 1985-1989 press sheet by David Katz Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

Heavyweight Ragga '85-'92

Hugh James

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   ¥2780 (US$26.16)
Various - King Jammys Dancehall 1985-1989 (2 CD) (Gatefold Paper Sleeve) Various - King Jammys Dancehall 1985-1989 (2 CD) (Gatefold Paper Sleeve) (Jammys/Dub Store Records JPN) 1985-1989
The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers.

Heavyweight Ragga '85-'92

Lloyd James

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   ¥2940 (US$27.67)
Gregory Isaacs - Warning Gregory Isaacs - Warning (Dub Store Records JPN) 1986
A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

Heavyweight Ragga '85-'92

King Tubbys

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   ¥2268 (US$21.35)
Skatalites - Ska Authentic: Presenting The Skatalites Skatalites - Ska Authentic: Presenting The Skatalites (Studio One) 1965

Ska

CS Dodd

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   ¥2380 (US$22.40)
Various - Studio One Ska Various - Studio One Ska (Soul Jazz Records UK/Studio One) 1963-1966

Ska

CS Dodd

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   ¥2580 (US$24.28)
Various - First Class Rock Steady (2CD) Various - First Class Rock Steady (2CD) (VP US) 1967-1968

Rock Steady

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   ¥3480 (US$32.75)
Various - Merritone Rock Steady 3: Bang Bang Rock Steady 1966-1968 Various - Merritone Rock Steady 3: Bang Bang Rock Steady 1966-1968 (Dub Store Records JPN) 1966-1967
Superior rock steady from the vaults of Federal Records The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.

Rock Steady

Federal Records

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   ¥2780 (US$26.16)
Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986 Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986 (Dub Store Records JPN) 1977-1986
At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Bob Marley & The Wailers

Bunny Wailer

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   ¥2780 (US$26.16)
Count Ossie & The Mystic Revelation Of Rastafari - Grounation (2CD) Count Ossie & The Mystic Revelation Of Rastafari - Grounation (2CD) (Dub Store Records JPN) 1973
An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I

Nyahbingi Drumming

Mystic Revelation Of Rastafari

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   ¥3240 (US$30.49)
Horace Andy, Naggo Morris, Wayne Jarrett - Horace Andy Meets Naggo Morris & Mini Showcase Horace Andy, Naggo Morris, Wayne Jarrett - Horace Andy Meets Naggo Morris & Mini Showcase (Wackies EU) 1982

Roots US/Wackies

Lloyd Barnes

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   ¥2780 (US$26.16)
Horace Andy, Winston Jarrett & The Wailers - Kingston Rock (Earth Must Be Hell) Horace Andy, Winston Jarrett & The Wailers - Kingston Rock (Earth Must Be Hell) (Dub Store Records JPN) 1975
The Wailers Band meets Horace Andy and Winston Jarrett. Also known as "Earth Must Be Hell", this is an immense roots classic including lovers anthem "Unity Strength & Love", True Born African", "Let The Music Play" and more.

Roots Reggae 1970s

Aston 'Family Man' Barrett

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   ¥2376 (US$22.36)
Tommy McCook - Sannic Sounds Tommy McCook - Sannic Sounds (Dub Store Records JPN) 1973
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Including liner notes from Harry Hawks.

Instrumental Reggae

Glen Brown

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   ¥2780 (US$26.16)
Skatalites, Lloyd Brevett - African Roots Skatalites, Lloyd Brevett - African Roots (Grover EU) 1975

Instrumental Roots

Lloyd Brevette, Duke Reid

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   ¥2280 (US$21.46)
Matumbi - Dub Planet Orbit 1 Matumbi - Dub Planet Orbit 1 (Dub Store Records JPN) 1980

Dub 1970s

Matumbi

BUY
   ¥2376 (US$22.36)
Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 (Dub Store Records JPN) 1971-1982
Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.

Instrumental Reggae

Aston 'Family Man' Barrett

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   ¥2780 (US$26.16)