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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Gregory Isaacs - Warning Gregory Isaacs - Warning (Dub Store Records JPN) 1986
A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

Heavyweight Ragga '85-'92

King Tubbys

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¥2268 (US$15.15)
Various Artists - King Tubbys Presents Sound Clash Dubplate Style Various Artists - King Tubbys Presents Sound Clash Dubplate Style (Dub Store Records JPN) 1988
The quintessential eighties soundboy burial album A digital masterpiece, produced by King Tubby, containing ten certified classics of the soundboy slaughter genre with the late lamented Fuzzy Jones on introduction duties.

Heavyweight Ragga '85-'92

King Tubby

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¥2376 (US$15.87)
Various - Redman International Dancehall 1985-1989 Various - Redman International Dancehall 1985-1989 (Dub Store Records JPN) 1985-1989
Redman International Dancehall 1985-1989 press sheet by David Katz Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

Heavyweight Ragga '85-'92

Hugh James

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¥2780 (US$18.57)
Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits (VP US) 1985

Rhythm Album 1985-1989

Lloyd James

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   ¥2980 (US$19.91)
Gladstone Anderson, Lynn Taitt, Jets - Glad Sounds Gladstone Anderson, Lynn Taitt, Jets - Glad Sounds (Dub Store Records JPN) 1968
Trinidad born legendary guitarist, Lynn Taitt, who brought the first wave of Rocksteady to the Island, and Gladdy Anderson who is well known for a Skatalites' pianist, they both got together to record this Rocksteady instrumental album 'Glad Sounds' at Federal Studio in 1968. Released from the Merritone label, which was managed under the Federal. The album depicts the hay day and best sound of Rocksteady as well as label itself. First time to be reissued by Dub Store Records. The forth reissue of the Story Of Federal program by Dub Store Records. The original UK issue was released on the Big Shot label with a different jacket design. Album tracks consist mainly of cover versions of popular tracks, which were produced by Coxsone Dodd, Bunny Lee and Sonia Pottinger. Lynn Taitt and Gladstone Anderson added gentle flavors to their versions by their distinctive instrumental plays. Also Federal's recording facility made possible to maintain this sound quality. Certainly, this is another classic album to add to your collection shelf!!

Rock Steady

Richard Khouri

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¥2500 (US$16.70)
Various Artists - BMN Ska & Rock Steady: Always Together 1964-1968 Various Artists - BMN Ska & Rock Steady: Always Together 1964-1968 (Dub Store Records JPN) 1964-1968
Marvellous music from Ronnie Nasally… one of the founding fathers of the Jamaican music business Includes vital vocals from The Blues Busters and The Maytals, eccentric Chinese rock steady from Stephen Chang and one of the first deejay records, ‘Ska-ing West’, from the legendary Sir Lord Comic. Incomparable!

Rock Steady

Ronnie Nasalla

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¥2780 (US$18.57)
Various - First Class Rock Steady (2CD) Various - First Class Rock Steady (2CD) (VP US) 1967-1968

Rock Steady

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   ¥3880 (US$25.92)
Various Artists - Gay Feet: Every Night featuring Baba Brooks and His Band Various Artists - Gay Feet: Every Night featuring Baba Brooks and His Band (Dub Store Records JPN) 1965
Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

Ska

Sonia Pottinger

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¥2376 (US$15.87)
Dadawah (Ras Michael) - Peace & Love Dadawah (Ras Michael) - Peace & Love (Wild Flower/Honest Jons UK/Dug Out UK) 1974

Nyahbingi Drumming

Lloyd Charmers

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   ¥2380 (US$15.90)
Bunny Wailer - Solomonic Singles 1: Tread Along 1969-1976 Bunny Wailer - Solomonic Singles 1: Tread Along 1969-1976 (Dub Store Records JPN) 1969-1976
At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Bob Marley & The Wailers

Bunny Wailer

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¥2780 (US$18.57)
Tu Shung Peng, Various - Trouble Time Tu Shung Peng, Various - Trouble Time (Makafresh EU/Makasound EU) 2008

Roots Revival

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   ¥2280 (US$15.23)
Various Artists - Africa Iron Gate Showcase Various Artists - Africa Iron Gate Showcase (Dub Store Records JPN) 1982
1982 unconventional reality dancehall anthology riding upon heavy Roots Radics rhythms

Roots Reggae 1980s

S. Simpson

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¥2376 (US$15.87)
Matumbi - Dub Planet Orbit 1 Matumbi - Dub Planet Orbit 1 (Dub Store Records JPN) 1980

Dub 1970s

Matumbi

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¥2376 (US$15.87)
Gladstone Anderson - It May Sound Silly Gladstone Anderson - It May Sound Silly (Moodisc US) 1973

Instrumental Reggae

Harry Mudie

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   ¥3880 (US$25.92)
Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 (Dub Store Records JPN) 1971-1982
Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.

Instrumental Reggae

Aston 'Family Man' Barrett

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¥2780 (US$18.57)
Tommy McCook - Sannic Sounds Tommy McCook - Sannic Sounds (Dub Store Records JPN) 1973
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release. Including liner notes from Harry Hawks.

Instrumental Reggae

Glen Brown

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¥2780 (US$18.57)
Various - Space Funk 2 (Afro Futurist Electro Funk In Space 1976-84) Various - Space Funk 2 (Afro Futurist Electro Funk In Space 1976-84) (Soul Jazz Records UK) 2023

Old School

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¥2380 (US$15.90)
T.I. - T.I. VS  T.I.P T.I. - T.I. VS T.I.P (Grand Hustler US) 2007

Main Stream

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