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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

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>>See Catalogue (11109 items)
Various Artists - King Tubbys Presents Sound Clash Dubplate Style Various Artists - King Tubbys Presents Sound Clash Dubplate Style (Dub Store Records JPN) 1988
The quintessential eighties soundboy burial album A digital masterpiece, produced by King Tubby, containing ten certified classics of the soundboy slaughter genre with the late lamented Fuzzy Jones on introduction duties.

Heavyweight Ragga '85-'92

King Tubby

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   ¥2376 (US$21.98)
Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits Various - Riddim Driven: Sleng Teng Extravaganza 1985 Master Megahits (VP US) 1985

Rhythm Album 1985-1989

Lloyd James

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   ¥2680 (US$24.80)
Various - Redman International Dancehall 1985-1989 Various - Redman International Dancehall 1985-1989 (Dub Store Records JPN) 1985-1989
Redman International Dancehall 1985-1989 press sheet by David Katz Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

Heavyweight Ragga '85-'92

Hugh James

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   ¥2780 (US$25.72)
Various - King Jammys Dancehall 1985-1989 (2 CD) (Gatefold Paper Sleeve) Various - King Jammys Dancehall 1985-1989 (2 CD) (Gatefold Paper Sleeve) (Jammys/Dub Store Records JPN) 1985-1989
The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers.

Heavyweight Ragga '85-'92

Lloyd James

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   ¥2940 (US$27.20)
Various Artists - Gay Feet: Every Night featuring Baba Brooks and His Band Various Artists - Gay Feet: Every Night featuring Baba Brooks and His Band (Dub Store Records JPN) 1965
Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

Ska

Sonia Pottinger

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   ¥2376 (US$21.98)
Bob Marley, Wailers - Greatest Hits At Studio One (Cut Out) Bob Marley, Wailers - Greatest Hits At Studio One (Cut Out) (Heartbeat US/Studio One) 1963-1966

Ska

CS Dodd

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   ¥2380 (US$22.02)
Various - Jamaican Skarama Various - Jamaican Skarama (Dub Store Records JPN) 1964-1965
Missing masterpieces of the original Jamaican Ska. Recorded at the Federal Studio between 1964 to 1965 and released on Ken Khouri's Kentone label.

Ska

Ken Khouri

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   ¥2500 (US$23.13)
Laurel Aitken - The Godfather Of Ska Anthology (2CD) Laurel Aitken - The Godfather Of Ska Anthology (2CD) (Cherry Red/Pressure Drop) 1957-1989

Ska

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   ¥3180 ¥2480 (US$22.94)
Kiddus I - Rockers: Graduation In Zion 1978-1980 Kiddus I - Rockers: Graduation In Zion 1978-1980 (Dub Store Records JPN) 1978-1980

Roots Reggae 1970s

Kiddus I

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   ¥2780 (US$25.72)
Dadawah (Ras Michael) - Peace & Love Dadawah (Ras Michael) - Peace & Love (Wild Flower/Honest Jons UK/Dug Out UK) 1974

Nyahbingi Drumming

Lloyd Charmers

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   ¥2280 (US$21.09)
Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986 Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986 (Dub Store Records JPN) 1977-1986
At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Bob Marley & The Wailers

Bunny Wailer

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   ¥2780 (US$25.72)
Dillinger - None Stop Disco Style Dillinger - None Stop Disco Style (Clocktower CA) 1978

Roots Deejay 70s

Bunny Lee, Brad Osbourne

BUY
   ¥1980 ¥1180 (US$10.92)
King Tubby & Riley All Stars - Concrete Jungle Dub King Tubby & Riley All Stars - Concrete Jungle Dub (Dub Store Records JPN) 1976
1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection Long-expected reissue of one of the most sought after dub albums.

Dub 1970s

Winston Riley

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   ¥2780 (US$25.72)
Errol Brown & The Revolutionaries - Dub Expression Errol Brown & The Revolutionaries - Dub Expression (Dub Store Records JPN) 1978
Dub like it used to be from the High Note and Gay Feet labels A selection of rocking rhythms from The Revolutionaries masterminded by Jamaica’s finest female record producer, Mrs Sonia Pottinger, and mixed by Duke Reid’s nephew, Errol Brown, chief engineer at the legendary Treasure Isle studio.

Dub 1970s

Sonia Pottinger

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   ¥2376 (US$21.98)
Roland Alphonso - Best Of Roland Alphonso Roland Alphonso - Best Of Roland Alphonso (Studio One) 1973

Instrumental Reggae

CS Dodd

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   ¥2380 (US$22.02)
Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982 (Dub Store Records JPN) 1971-1982
Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.

Instrumental Reggae

Aston 'Family Man' Barrett

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   ¥2780 (US$25.72)